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Copyright in the Music Industry: A Practical Guide to Exploiting and Enforcing Rights
2026
N 633 BOS.C
Available at WIPO Library
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Title
Copyright in the Music Industry: A Practical Guide to Exploiting and Enforcing Rights
Author
Edition
2nd Edition.
Item Type
Book
Description
358 pages. 24 cm
ISBN
9781035330386 Print
9781035330379 eBook
9781035330379 eBook
Alternate Call Number
N 633 BOS.C
Summary
This second edition expands on and updates this unique guide to the function, application and management of copyright within the music industry. All chapters have been revised to incorporate the latest developments in technology, research, case law and policy in music copyright. Hayleigh Bosher presents relevant real world examples with practical, step-by-step guidance for stakeholders of all types. The book signposts the future of copyright in the music industry through an examination of new technologies such as artificial intelligence. Key Features: - Written in an engaging and approachable style - Explains key concepts as well as commonly misunderstood topics, such as sampling and fair use - Provides new chapters on music streaming, AI and the EU Digital Single Market Copyright Directive - Evaluates recent copyright infringement cases such as those against Rudimental’s ‘Waiting All Night’ and Ed Sheeran’s ‘Shape of You’. Songwriters, performers, musicians, producers, copyright holders and other practitioners in the music industry will find this an indispensable and easy-to-use resource for navigating all aspects of music copyright. It will also be of interest to academics and students of copyright law and music.
Note
Includes index.
Formatted Contents Note
Foreword to the second edition by Tom Gray
Foreword I to the first edition by David Martin
Foreword II to the first edition by Andrea Martin
Foreword III to the first edition by Scott Farrant
Preface
Acknowledgements
Key terms
Copyright in the Music Industry playlist
Part I Music and copyright
Introduction to Part I: music and copyright
Chapter 1: Why copyright matters in music
Chapter 2: What is copyright?
Chapter 3: Copyright in a song
Chapter 4: What copyright gives you
Chapter 5: What copyright does not give you
Part II Managing music copyright
Introduction to Part II: managing music copyright
Chapter 6 : Who owns the copyright?
Chapter 7: Roles and relationships
Chapter 8: Contracts
Chapter 9: Licensing
Chapter 10 : Social media
Part III Infringement
Introduction to Part III: infringement
Chapter 11 : What is copyright infringement?
Chapter 12 : Who copied my song?
Chapter 13 : More music copying cases
Chapter 14: Inspiration or infringement
Chapter 15: Sampling
Chapter 16: Counterfeit goods
Part IV Enforcement
Introduction to Part IV: enforcement
Chapter 17 : Starting a copyright infringement claim
Chapter 18: Where to make a claim
Chapter 19 :Evidence and musicology reports
Chapter 20: Remedies
Chapter 21 :How to take online action
Part V Current and recent developments
Introduction to Part V: current and recent developments
Chapter 22: The UK Music Streaming Inquiry
Chapter 23: EU copyright in the Digital Single Market Directive
Chapter 24 :Artificial intelligence and music: authorship and ownership
Chapter 25: Artificial intelligence: infringement and exceptions
Chapter 26: Deepfakes and personality rights
Chapter 27: Blockchain and NFTs in the music industry
Index
Foreword I to the first edition by David Martin
Foreword II to the first edition by Andrea Martin
Foreword III to the first edition by Scott Farrant
Preface
Acknowledgements
Key terms
Copyright in the Music Industry playlist
Part I Music and copyright
Introduction to Part I: music and copyright
Chapter 1: Why copyright matters in music
Chapter 2: What is copyright?
Chapter 3: Copyright in a song
Chapter 4: What copyright gives you
Chapter 5: What copyright does not give you
Part II Managing music copyright
Introduction to Part II: managing music copyright
Chapter 6 : Who owns the copyright?
Chapter 7: Roles and relationships
Chapter 8: Contracts
Chapter 9: Licensing
Chapter 10 : Social media
Part III Infringement
Introduction to Part III: infringement
Chapter 11 : What is copyright infringement?
Chapter 12 : Who copied my song?
Chapter 13 : More music copying cases
Chapter 14: Inspiration or infringement
Chapter 15: Sampling
Chapter 16: Counterfeit goods
Part IV Enforcement
Introduction to Part IV: enforcement
Chapter 17 : Starting a copyright infringement claim
Chapter 18: Where to make a claim
Chapter 19 :Evidence and musicology reports
Chapter 20: Remedies
Chapter 21 :How to take online action
Part V Current and recent developments
Introduction to Part V: current and recent developments
Chapter 22: The UK Music Streaming Inquiry
Chapter 23: EU copyright in the Digital Single Market Directive
Chapter 24 :Artificial intelligence and music: authorship and ownership
Chapter 25: Artificial intelligence: infringement and exceptions
Chapter 26: Deepfakes and personality rights
Chapter 27: Blockchain and NFTs in the music industry
Index
Published
Cheltenham, UK ; Northampton, MA, USA : Edward Elgar Publishing, 2026.
Language
English
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