\(
\def\WIPO{World Intellectual Property Organisation}
\)
Finding nemo: Digital art, tokenised assets, virtual property and the right of communication in copyright law
2024
Formats
Format | |
---|---|
BibTeX | |
MARCXML | |
TextMARC | |
MARC | |
DataCite | |
DublinCore | |
EndNote | |
NLM | |
RefWorks | |
RIS |
Details
Title
Finding nemo: Digital art, tokenised assets, virtual property and the right of communication in copyright law
Author
Item Type
Journal article
Description
1 online resource (pages 69-87)
Summary
The increasing prevalence of immersive technologies and blockchain platforms in modern commerce has ignited animated debates among intellectual property law scholars on the use of nonfungible tokens (NFTs) in the sale of crypto-assets or virtual property. Despite the rapidly growing interest in the implications of NFTs for copyright law, particularly in the realm of digital art, relatively little attention has been given to the question of whether the rights of copyright stakeholders (as opposed to the works in which such rights subsist) are capable of tokenisation as NFTs or of being transferred via NFT-tethered transactions in blockchain environments. This article highlights the dangers of treating copyright as capable of being tokenised or transferred as NFTs on blockchain platforms, and argues that such an approach poses fundamental risks to the ‘nemo dat’ principle in property law. The article further proposes that the right of communication in copyright law should be extended to include the minting of NFTs in relation to digital files containing creative expression, to protect the interests of digital artists from the exploits of rogue crypto-traders on blockchain platforms.
Source of Description
Crossref
Series
Journal Of World Intellectual Property, 1747-1796 ; 27, 1, 2024
Linked Resources
Published
[Hoboken, New Jersey] : John Wiley & Sons Ltd, 2024.
Language
English
Record Appears in