000005451 000__ 01088cam\a22003135i\4500 000005451 001__ 5451 000005451 003__ SzGeWIPO 000005451 005__ 20240708160516.0 000005451 008__ 921128s1992\\\\cau\\\\\r\\\\u000\0\eng\d 000005451 035__ $$a(wipo)(CD )$33028 000005451 035__ $$a(OCoLC)1161303873 000005451 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000005451 084__ $$a76$$qGB 000005451 1001_ $$aBently, Lionel,$$eauthor. 000005451 24510 $$aCulture of copying :$$bdigital sampling and copyright law /$$cLionel Bently. 000005451 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c1992. 000005451 300__ $$a1 volume ([5] pages) ;$$c[28] cm. 000005451 336__ $$atext$$btxt$$2rdacontent 000005451 337__ $$aunmediated$$bn$$2rdamedia 000005451 338__ $$avolume$$bnc$$2rdacarrier 000005451 4901_ $$aEntertainment Law Review ;$$v1992 Vol 3 No 5 pages 158-163 000005451 650_0 $$aCopyright. 000005451 650_4 $$aCOPYRIGHT LAW : DIGITAL SAMPLING 000005451 7001_ $$aSherman, Brad. 000005451 830_0 $$aEntertainment Law Review ;$$v1992 Vol 3 No 5 pages 158-163. 000005451 903__ $$v1$$aENTERTAINMENT LAW REVIEW 000005451 904__ $$aJournal article 000005451 942__ $$cART$$2ddc 000005451 952__ $$w2006-11-03$$p1992-33028$$r0.00$$u5744$$bMAIN$$10$$kGB 76$$v1992-11-28$$zLibrary$$70 000005451 980__ $$aBIB 000005451 999__ $$c5689$$d5689