000005373 000__ 01355cam\a22003615i\4500
000005373 001__ 5373
000005373 003__ SzGeWIPO
000005373 005__ 20240708160509.0
000005373 008__ 920829s1992\\\\cau\\\\\r\\\\u000\0\eng\d
000005373 035__ $$a(wipo)(CD )$32742
000005373 035__ $$a(OCoLC)1159948917
000005373 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000005373 084__ $$a76$$qGB
000005373 1001_ $$aAgnew, David Edward,$$eauthor.
000005373 24510 $$aReform in the International Protection of Sound Recordings :$$bUpsetting the Delicate Balance between Authors, Performers and Producers, or Pragmatism in the Age of Digital Piracy /$$cDavid Edward Agnew.
000005373 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c1992.
000005373 300__ $$a1 volume ([7] pages) ;$$c[28] cm.
000005373 336__ $$atext$$btxt$$2rdacontent
000005373 337__ $$aunmediated$$bn$$2rdamedia
000005373 338__ $$avolume$$bnc$$2rdacarrier
000005373 4901_ $$aEntertainment Law Review ;$$v1992 Vol 3 No 4 pages 125-132
000005373 650_0 $$aCopyright.
000005373 650_4 $$aSOUND RECORDING
000005373 650_4 $$aCOPYRIGHT : BERNE CONVENTION
000005373 650_4 $$aINTERNATIONAL PIRACY
000005373 650_4 $$aDIGITAL PIRACY
000005373 650_4 $$aROME CONVENTION
000005373 650_4 $$aPHONOGRAMS CONVENTION
000005373 830_0 $$aEntertainment Law Review ;$$v1992 Vol 3 No 4 pages 125-132.
000005373 903__ $$v1$$aENTERTAINMENT LAW REVIEW
000005373 904__ $$aJournal article
000005373 942__ $$cART$$2ddc
000005373 952__ $$w2006-11-03$$p1992-32742$$r0.00$$u5655$$bMAIN$$10$$kGB 76$$v1992-08-29$$zLibrary$$70
000005373 980__ $$aBIB
000005373 999__ $$c5610$$d5610