000049118 000__ 02997cam\a22004095i\4500 000049118 001__ 49118 000049118 003__ SzGeWIPO 000049118 005__ 20240322214816.0 000049118 006__ m eo d 000049118 007__ cr bn |||m|||a 000049118 008__ 240321s2023\\\\enk\\\\\o\\\\\000\0\eng\d 000049118 0247_ $$a10.1093/grurint/ikad092$$2doi 000049118 035__ $$a(OCoLC)1427546330 000049118 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000049118 041__ $$aeng 000049118 24500 $$aIs the Script of a Television Programme the Crux of Being a Legal Performer? 000049118 264_1 $$a[Oxford, England] :$$bOxford University Press (OUP),$$c2023 000049118 300__ $$a1 online resource (pages 1132–1141) 000049118 336__ $$atext$$2rdacontent 000049118 337__ $$acomputer$$2rdamedia 000049118 338__ $$aonline resource$$bcr$$2rdacarrier 000049118 4901_ $$aGRUR International,$$x2632-8550 ;$$v72, 12, 2023 000049118 520__ $$aLast January, the Spanish Supreme Court dismissed the appeal brought against a judgment of the Madrid Provincial Court rejecting the status of ‘actor’ of one of the characters who, together with the announcer, regularly took part in one of the most famous television quiz shows in Spain during the 1990s: ‘Cifras y Letras’. This was a person who acted as an expert teacher of letters whose role consisted basically in constructing long words of nine letters in response to the answers given by the contestants, conversing with them in a very natural and fluent manner on the basis of the script and the informative help which he was given at the time of the production. The inadmissibility of the appeal lodged by ‘the professor’ deprives us of knowing, for the first time, how the concept of performer in Spanish intellectual property law should be interpreted, and even, enjoying all the requirements of an autonomous concept of European Union law, of knowing what the interpretation of the CJEU would be. However, by giving finality to the Audiencia’s judgment, it provides us with the opportunity to delve deeper into this concept by analysing the legal requirements that the artist and her performance must meet. Considering that a protectable performance gives rise to the neighbouring right including the right to receive an equitable remuneration of compulsory collective management for the public communication of the recording containing her performance, clarifying which performances are protected becomes crucial for the proper functioning of the system. 000049118 542__ $$fhttps://academic.oup.com/grurint/article/72/3/231/6998505 000049118 588__ $$aCrossref 000049118 590__ $$aPublished online: 16-Sep-23 000049118 650_0 $$aIntellectual property$$zSpain. 000049118 650_0 $$aIntellectual property$$zEuropean Union. 000049118 650_0 $$aIntellectual property and creative ability. 000049118 650_0 $$aIntellectual property. 000049118 650_0 $$aPatents. 000049118 7001_ $$aGarcía, Concepción Saiz,$$eauthor. 000049118 7731_ $$tGRUR International$$wGRUR 000049118 830_0 $$aGRUR International,$$x2632-8550 ;$$v72, 12, 2023. 000049118 85641 $$uhttps://doi.org/10.1093/grurint/ikad092$$yonline version 000049118 904__ $$aArticle 000049118 980__ $$aGRUR