TY  - GEN
AB  - The Covid-19 pandemic inflicted socioeconomic harm on an unprecedented scale. Across the world and to varying degrees, cinemas were closed, festivals were cancelled or postponed, and film releases were moved to future dates or delayed indefinitely. In 2020 the entire global theatrical and home/mobile entertainment market totalled $80.8 billion, the lowest figure since 2016 and a decline of 18% from 2019. Theatrical entertainment accounted for only 15% of the total global entertainment revenue, compared to 43% in 2019. While some has been written about the effects of Covid-19 on both international and local film industries, this article seeks to provide an African perspective focusing on the realities in Nigeria and South Africa, respectively. This article examines the importance of filmmaking industries in Nigeria and South Africa as well as the difficulties faced during the Covid-19 pandemic. Copyright laws in both terrains are critically reviewed based on the capacity of these laws to protect the interests of film industries pre and post-Covid-19.
AU  - Kouletakis, Jade,
AU  - Lawal-Arowolo, Ayoyemi,
AU  - Itanyi, Nkem,
DO  - 10.1111/jwip.12281
DO  - doi
ID  - 49051
JF  - Journal of World Intellectual Property
KW  - Copyright law
KW  - COVID-19 pandemic.
KW  - Intellectual property
KW  - Motion picture industry.
KW  - Copyright.
KW  - Intellectual property.
LA  - eng
LK  - https://doi.org/10.1111/jwip.12281
N2  - The Covid-19 pandemic inflicted socioeconomic harm on an unprecedented scale. Across the world and to varying degrees, cinemas were closed, festivals were cancelled or postponed, and film releases were moved to future dates or delayed indefinitely. In 2020 the entire global theatrical and home/mobile entertainment market totalled $80.8 billion, the lowest figure since 2016 and a decline of 18% from 2019. Theatrical entertainment accounted for only 15% of the total global entertainment revenue, compared to 43% in 2019. While some has been written about the effects of Covid-19 on both international and local film industries, this article seeks to provide an African perspective focusing on the realities in Nigeria and South Africa, respectively. This article examines the importance of filmmaking industries in Nigeria and South Africa as well as the difficulties faced during the Covid-19 pandemic. Copyright laws in both terrains are critically reviewed based on the capacity of these laws to protect the interests of film industries pre and post-Covid-19.
T1  - Copyright Law Protection of films in Nigeria (Nollywood) and South Africa (Sollywood) :Pre and post-Covid-19 pandemic.
TI  - Copyright Law Protection of films in Nigeria (Nollywood) and South Africa (Sollywood) :Pre and post-Covid-19 pandemic.
UR  - https://doi.org/10.1111/jwip.12281
VL  - 26, 3, 2023
ER  -