@article{49051,
      author = {Kouletakis, Jade, and Lawal-Arowolo, Ayoyemi, and Itanyi,  Nkem,},
      url = {http://tind.wipo.int/record/49051},
      title = {Copyright Law Protection of films in Nigeria (Nollywood)  and South Africa (Sollywood) : Pre and post-Covid-19  pandemic.},
      abstract = {The Covid-19 pandemic inflicted socioeconomic harm on an  unprecedented scale. Across the world and to varying  degrees, cinemas were closed, festivals were cancelled or  postponed, and film releases were moved to future dates or  delayed indefinitely. In 2020 the entire global theatrical  and home/mobile entertainment market totalled $80.8  billion, the lowest figure since 2016 and a decline of 18%  from 2019. Theatrical entertainment accounted for only 15%  of the total global entertainment revenue, compared to 43%  in 2019. While some has been written about the effects of  Covid-19 on both international and local film industries,  this article seeks to provide an African perspective  focusing on the realities in Nigeria and South Africa,  respectively. This article examines the importance of  filmmaking industries in Nigeria and South Africa as well  as the difficulties faced during the Covid-19 pandemic.  Copyright laws in both terrains are critically reviewed  based on the capacity of these laws to protect the  interests of film industries pre and post-Covid-19.},
      doi = {https://doi.org/10.1111/jwip.12281},
      recid = {49051},
      pages = {1 online resource (pages 436-457)},
}