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000048805 010__ $$a2023940304
000048805 020__ $$a9781509949380$$qPrint
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000048805 035__ $$a(OCoLC)1427545645
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000048805 041__ $$aeng
000048805 24500 $$aMusic Borrowing and Copyright Law :$$ba genre-by-genre analysis /$$cEnrico Bonadio, Chen Wei Zhu.
000048805 263__ $$a2312
000048805 264_1 $$aGordonsville :$$bHart Publishing, An Imprint of Bloomsbury Publishing,$$c2023.
000048805 300__ $$a485 pages.
000048805 336__ $$atext$$2rdacontent
000048805 337__ $$acomputer$$2rdamedia
000048805 338__ $$aonline resource$$bcr$$2rdacarrier
000048805 5050_ $$aForeword -- Acknowledgements -- List of Contributors -- List of Figures -- Introduction: Music Borrowing and Copyright Law -- I. Introduction -- Part I: Music Genres, Borrowing and Copyright -- 1. Defining Music Genres: Critical Issues with Music Taxonomies -- 2. A Brief History and Typology of Musical Borrowing and Reworking -- 3. Litigating Musical Universals and Particulars: Copyright Law's Ontological Struggle with Music Borrowing -- 4. We Can Work It Out: Methods in Forensic Musicology -- 5. Forensic Musicology in Action: A Personal Perspective -- 6. Borrowing from Traditional Culture: Ownership and Commodification of Traditional Music from a Cultural Custodianship Perspective -- Part II: Analysing Music Genres and their Relationship with Copyright -- Section A: General -- Section B: Americas -- Section C: Europe -- Section D: Africa and Middle East -- Section E: Asia and Oceania -- Index
000048805 520__ $$aThis ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices.Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others.This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
000048805 650_4 $$aLaw$$xComparative.
000048805 650_4 $$aLaw$$xIntellectual Property$$xCopyright
000048805 650_0 $$aCopyright.
000048805 650_0 $$aIntellectual property.
000048805 7001_ $$aBonadio, Enrico,$$eeditor.
000048805 7001_ $$aZhu, Chen Wei,$$eeditor.
000048805 85641 $$uhttps://ebookcentral.proquest.com/lib/wipo/detail.action?docID=30751526$$yView eBook
000048805 904__ $$aBook
000048805 980__ $$aBIB