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000048670 0247_ $$a10.1093/grurint/ikad056$$2doi
000048670 035__ $$a(OCoLC)1412052798
000048670 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000048670 041__ $$aeng
000048670 24500 $$aWhen a Series’ Main Protagonist Gets Stolen and Sold – A Study of NFTs and Their Approaches to Copyright Licensing.
000048670 264_1 $$a[Oxford, England] :$$bOxford University Press (OUP),$$c2023
000048670 300__ $$a1 online resource (pages 750-768)
000048670 336__ $$atext$$2rdacontent
000048670 337__ $$acomputer$$2rdamedia
000048670 338__ $$aonline resource$$bcr$$2rdacarrier
000048670 4901_ $$aGRUR International,$$x2632-8550 ;$$v72, 8, 2023
000048670 542__ $$fhttps://academic.oup.com/grurint/article/72/3/231/6998505
000048670 588__ $$aCrossref
000048670 590__ $$aPublished online: 22-Jun-23
000048670 650_0 $$aCopyright.
000048670 650_0 $$aNFTs (Tokens)
000048670 650_0 $$aCopyright licenses.
000048670 7001_ $$aBischoff, Susan,$$eauthor.
000048670 7731_ $$tGRUR International$$wGRUR
000048670 830_0 $$aGRUR International,$$x2632-8550 ;$$v72, 8, 2023.
000048670 85641 $$uhttps://doi.org/10.1093/grurint/ikad056$$yonline version
000048670 904__ $$aJournal article
000048670 980__ $$aGRUR