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000046777 0247_ $$a10.1093/jiplp/jpac066$$2doi
000046777 035__ $$a(OCoLC)1335038449
000046777 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000046777 041__ $$aeng
000046777 24500 $$aHow does the public perceive music copyright law?$$bA content analysis of YouTube videos on the Flame v Perry ‘Dark Horse’ case /
000046777 264_1 $$a[Oxford, England] :$$bOxford University Press (OUP),$$c2022
000046777 300__ $$a1 online resource (pages 704-726)
000046777 336__ $$atext$$2rdacontent
000046777 337__ $$acomputer$$2rdamedia
000046777 338__ $$aonline resource$$bcr$$2rdacarrier
000046777 4901_ $$aJournal Of Intellectual Property Law & Practice,$$x1747-1540 ;$$v17, 9, 2022
000046777 542__ $$fhttps://academic.oup.com/jiplp/article/17/9/704/6647991
000046777 588__ $$aCrossref
000046777 590__ $$aPublished online: 31-Aug-22
000046777 650_0 $$aIntellectual property.
000046777 650_0 $$aCopyright Law.
000046777 7001_ $$aMartin, Stefan,$$eauthor.
000046777 7731_ $$tJournal of Intellectual Property Law & Practice$$wjiplp
000046777 830_0 $$aJournal Of Intellectual Property Law & Practice ;$$v17, 9, 2022.
000046777 85641 $$uhttps://doi.org/10.1093/jiplp/jpac066$$yOnline version
000046777 904__ $$aJournal article
000046777 980__ $$aJIPLP