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000046311 035__ $$a(OCoLC)1335039408
000046311 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000046311 041__ $$aeng
000046311 24500 $$aIs the current test for music copyright infringement fit for purpose?.
000046311 264_1 $$a[New York, NY] :$$bThomson Reuters,$$c2020
000046311 300__ $$a1 online resource
000046311 336__ $$atext$$2rdacontent
000046311 337__ $$acomputer$$2rdamedia
000046311 338__ $$aonline resource$$bcr$$2rdacarrier
000046311 4901_ $$aEuropean Intellectual Property Review,$$x0142-0461 ;$$vVolume 42, Issue 5
000046311 542__ $$fhttps://1.next.westlaw.com/Copyright
000046311 588__ $$aCrossref
000046311 590__ $$aPublished online: 2020
000046311 650_0 $$aIntellectual property.
000046311 650_4 $$aEntertainment industry
000046311 650_0 $$aCopyright$$xMusic.
000046311 7001_ $$aConte, Oliver,$$eauthor.
000046311 7731_ $$tEuropean Intellectual Property Review
000046311 7731_ $$wEIPR
000046311 830_0 $$aEuropean Intellectual Property Review,$$vE.I.P.R. 2020, 42(5), 269-271
000046311 85641 $$uhttps://www.westlaw.com/Document/IC8F3DEE094AD11EAB567B2B5F0905C39/View/FullText.html?transitionType=Default&contextData=(sc.Default)&VR=3.0&RS=cblt1.0&sp=wlnintell-000$$yonline version
000046311 904__ $$aJournal article
000046311 980__ $$aEIPR