000043628 000__ 00929nam\a2200361\i\4500 000043628 001__ 43628 000043628 003__ SzGeWIPO 000043628 005__ 20240708150004.0 000043628 006__ m\\\\eo\\d\\\\\\\\ 000043628 007__ cr bn |||m|||a 000043628 008__ 210517s2019\\\\enk\\\\\o\\\\\000\0\eng\d 000043628 022__ $$aOnline: 1747-1540 000043628 0247_ $$a10.1093/jiplp/jpz009$$2doi 000043628 035__ $$a(OCoLC)1255904954 000043628 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000043628 041__ $$aeng 000043628 24500 $$aMeeting the challenge of producing classical music for global audiences in the digital era. 000043628 264_1 $$a[Oxford, England] :$$bOxford University Press (OUP),$$c2019 000043628 300__ $$a1 online resource (pages 327-330) 000043628 337__ $$acomputer$$2rdamedia 000043628 4901_ $$aJournal Of Intellectual Property Law & Practice,$$x1747-1540 ;$$v14, 4, 2019 000043628 542__ $$fhttps://academic.oup.com/jiplp/article/14/4/327/5307958 000043628 588__ $$aCrossref 000043628 590__ $$aPublished online: 06-Feb-19 000043628 650_0 $$aIntellectual property. 000043628 7001_ $$aFrancisco, Martha de,$$eauthor. 000043628 7731_ $$tJournal of Intellectual Property Law & Practice$$wjiplp 000043628 830_0 $$aJournal Of Intellectual Property Law & Practice ;$$v14, 4, 2019. 000043628 85641 $$uhttps://doi.org/10.1093/jiplp/jpz009$$yOnline version 000043628 904__ $$aJournal article 000043628 980__ $$aJIPLP