000042654 000__ 00964nam\a2200373\i\4500 000042654 001__ 42654 000042654 003__ SzGeWIPO 000042654 005__ 20240708145915.0 000042654 006__ m\\\\eo\\d\\\\\\\\ 000042654 007__ cr bn |||m|||a 000042654 008__ 210309s2020\\\\enk\\\\\o\\\\\000\0\eng\d 000042654 022__ $$aOnline: 1747-1540 000042654 0247_ $$a10.1093/jiplp/jpaa021$$2doi 000042654 035__ $$a(OCoLC)1255904685 000042654 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000042654 041__ $$aeng 000042654 24500 $$aFashion piracy and artificial intelligence—does the new creative environment come with new copyright issues? 000042654 264_1 $$a[Oxford, England] :$$bOxford University Press (OUP),$$c2020 000042654 300__ $$a1 online resource (pages 163-172) 000042654 337__ $$acomputer$$2rdamedia 000042654 4901_ $$aJournal Of Intellectual Property Law & Practice,$$x1747-1540 ;$$v15, 3, 2020 000042654 542__ $$fhttps://academic.oup.com/jiplp/article/15/3/163/5804112 000042654 588__ $$aCrossref 000042654 590__ $$aPublished online: 12-Mar-20 000042654 650_0 $$aCopyright. 000042654 650_0 $$aIntellectual property. 000042654 7001_ $$aHärkönen, Heidi,$$eauthor. 000042654 7731_ $$tJournal of Intellectual Property Law & Practice$$wjiplp 000042654 830_0 $$aJournal Of Intellectual Property Law & Practice ;$$v15, 3, 2020. 000042654 85641 $$uhttps://doi.org/10.1093/jiplp/jpaa021$$yOnline version 000042654 904__ $$aJournal article 000042654 980__ $$aJIPLP