000042056 000__ 01301cam\a22002535i\4500
000042056 001__ 42056
000042056 003__ SzGeWIPO
000042056 005__ 20240708145857.0
000042056 008__ 200624s2020\\\\sz\\\\\\r\\\\\000\0\eng\d
000042056 040__ $$aSzGeWIPO$$beng$$erda
000042056 041__ $$aeng
000042056 1001_ $$aMezei, Péter
000042056 24503 $$aHow (Not) to Steal a Book?$$bThe Social History of the Chinese Publishing Industry
000042056 264_1 $$a[Oxford, United Kingdom] :$$bOxford University Press,$$c2020.
000042056 300__ $$a3 pages
000042056 336__ $$atext$$btxt$$2rdacontent
000042056 337__ $$aunmediated$$bn$$2rdamedia
000042056 338__ $$avolume$$bnc$$2rdacarrier
000042056 520__ $$aThis paper reviews Fei-Hsien Wang's "Pirates and Publishers - A Social History of Copyright in Modern China" book, and concludes that the monograph thoroughly introduces the socio-cultural and economic roots of modern Chinese copyright law. It necessitates readers (and researchers of this field) to look beyond statutory law, and makes it easier to understand the relevance of the “shanzai” culture of modern China. The book similarly helps to understand from where did the Chinese depart from on their long way to merge their copyright regime with (but never succumbed to) the Western intellectual property standards.
000042056 525__ $$aPublished in : Journal of Intellectual Property Law & Practice, 2020
000042056 650_0 $$aCopyright law$$zChina
000042056 650_0 $$aSocial and economic history
000042056 650_0 $$aPublishing
000042056 650_0 $$aBook review
000042056 85641 $$uhttps://papers.ssrn.com/sol3/papers.cfm?abstract_id=3598048$$yView this resource
000042056 904__ $$aJournal article
000042056 980__ $$aBIB