000042029 000__ 01614cam\a22002535i\4500 000042029 001__ 42029 000042029 003__ SzGeWIPO 000042029 005__ 20240708145856.0 000042029 008__ 200624s2015\\\\sz\\\\\\r\\\\\000\0\eng\d 000042029 040__ $$aSzGeWIPO$$beng$$erda 000042029 041__ $$aeng 000042029 1001_ $$aFrosio, Giancarlo 000042029 24503 $$aUser Patronage :$$bThe Return of the Gift in the 'Crowd Society' 000042029 264_1 $$a[East Lansing, Michigan] :$$bMichigan State University College of Law,$$c2015. 000042029 300__ $$a64 pages 000042029 336__ $$atext$$btxt$$2rdacontent 000042029 337__ $$aunmediated$$bn$$2rdamedia 000042029 338__ $$avolume$$bnc$$2rdacarrier 000042029 520__ $$aIn this work, I discuss the tension between gift and market economy throughout the history of creativity. For millennia, the production of creative artifacts has lain at the intersection between gift and market economy. From the time of Pindar and Simonides—and until the Romanticism will commence a process leading to the complete commodification of creative artifacts—market exchange models run parallel to gift exchange. From Roman amicitia to the medieval and Renaissance belief that scientia donum dei est, unde vendi non potest, creativity has been repeatedly construed as a gift. Again, at the time of the British and French “battle of the booksellers,” the rhetoric of the gift still resounded powerfully from the nebula of the past to shape the constitutional moment of copyright law. The return of gift exchange models has a credible source in the history of creativity. 000042029 525__ $$aPublished in : Michigan State Law Review 1983 (2015) 000042029 650_0 $$aEconomics of creativity 000042029 650_0 $$aCreative economy 000042029 650_0 $$aGift economy 000042029 650_0 $$aCopyright 000042029 650_0 $$aIntellectual property 000042029 650_0 $$aNetworked information economy 000042029 85641 $$uhttps://papers.ssrn.com/sol3/papers.cfm?abstract_id=2659659$$yView this resource 000042029 904__ $$aJournal article 000042029 980__ $$aBIB