000041988 000__ 02334cam\a22002535i\4500 000041988 001__ 41988 000041988 003__ SzGeWIPO 000041988 005__ 20240708145855.0 000041988 008__ 200622s2018\\\\sz\\\\\\r\\\\\000\0\eng\d 000041988 022__ $$a0736-7694 000041988 040__ $$aSzGeWIPO$$beng$$erda 000041988 041__ $$aeng 000041988 1001_ $$aMauceri, Jessica 000041988 24503 $$aWhy the Bridgeport Rule for Infringement of Sound Recordings in no Longer "Vogue" 000041988 264_1 $$a[New York City, New York] :$$bYeshiva University Benjamin N. Cardozo School of Law,$$c2018. 000041988 300__ $$a32 pages 000041988 336__ $$atext$$btxt$$2rdacontent 000041988 337__ $$aunmediated$$bn$$2rdamedia 000041988 338__ $$avolume$$bnc$$2rdacarrier 000041988 520__ $$aThis Note will analyze the newly created circuit split between the Sixth and Ninth Circuit Courts, in the respective cases of Bridgeport Music v. Dimension Films and VMG Salsoul v. Ciccone. The 2016 VMG Salsoul v. Ciccone ruling is the red flare coming from a sinking ship, signaling to both Congress and the Supreme Court of the United States that sampling is a serious concern facing copyright law that is not going to disappear. Part I provides an overview of the relevant portions of the Copyright Act, including the substantial similarity argument and the de minimis defense in copyright infringement cases. Part II provides an analysis of the Bridgeport Music decision and the reasoning behind the Sixth Circuit’s departure from traditional music copyright law with the implementation of its bright line ruling. Part III explores what happened in the music industry and within the court system as a result of the Bridgeport decision.Part IV analyzes the VMG Salsoul case, with a focus on the Ninth Circuit’s opinion and its role in taking a stand against the Bridgeport Music decision. Finally, Part V discusses the implications of the circuit split that the Ninth Circuit created, and why this court became the first of the circuit courts to finally outright reject Bridgeport, when no other court had done so in the past. This Part also proposes a solution to the circuit split created between the Sixth and Ninth Circuits, arguing for a new bright line rule that embraces the benefits of the promotion of music sampling. 000041988 525__ $$aPublished in : Cardozo Arts & Entertainment Law, vol. 36, no. 2 (2018) 000041988 650_0 $$aCopyright Act 000041988 650_0 $$aBridgeport music 000041988 650_0 $$aMusic industry 000041988 85641 $$uhttp://www.cardozoaelj.com/wp-content/uploads/2018/10/MAUCERI_NOTE.pdf$$yView this resource 000041988 904__ $$aJournal article 000041988 980__ $$aBIB