000041932 000__ 00721cam\a22002535i\4500 000041932 001__ 41932 000041932 003__ SzGeWIPO 000041932 005__ 20240708145852.0 000041932 008__ 200619s2018\\\\sz\\\\\\r\\\\\000\0\eng\d 000041932 022__ $$a0736-7694 000041932 040__ $$aSzGeWIPO$$beng$$erda 000041932 041__ $$aeng 000041932 1001_ $$aAdamson, Bryan 000041932 24503 $$aThe "Blurred lines" of Marvin Gaye's "Here, my Dear": Music as a tortious act, divorce narrative and first amendment totem 000041932 264_1 $$a[New York City, New York] :$$bYeshiva University Benjamin N. Cardozo School of Law,$$c2018. 000041932 300__ $$a62 pages 000041932 336__ $$atext$$btxt$$2rdacontent 000041932 337__ $$aunmediated$$bn$$2rdamedia 000041932 338__ $$avolume$$bnc$$2rdacarrier 000041932 525__ $$aPublished in : Cardozo Arts & Entertainment Law, vol. 36, no. 1 000041932 650_0 $$aDefamation 000041932 650_0 $$aPrivacy 000041932 650_0 $$aMarvin Gaye 000041932 85641 $$uhttp://www.cardozoaelj.com/wp-content/uploads/2018/10/ADAMSON_ARTICLE.pdf$$yView this resource 000041932 904__ $$aJournal article 000041932 980__ $$aBIB