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000041926 1001_ $$aBanerjee, Arpan
000041926 24503 $$aCopyright Piracy and the Indian Film Industry: A “Realist” Assessment
000041926 264_1 $$a[New York City, New York] :$$bYeshiva University Benjamin N. Cardozo School of Law,$$c2016.
000041926 300__ $$a90 pages
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000041926 520__ $$aIn India, the academic discourse surrounding intellectual property (IP) has been marked by great skepticism. Global IP laws have been viewed as a Western imposition detrimental to national interests. In this paper, I will make the case for a “realist” approach to film piracy in India, i.e., an approach that is rooted in legal pragmatism and draws from the New Legal Realism (NLR) movement. I will suggest a rough template for such an approach, referring to seven broad elements: a) international relations realism; b) contextualization of IP; c) contextualization of copyright; d) the views and interests of the film industry (including creators); e) the working of the pirate economy; f) the law and its enforcement; and g) reforms in the law and industry strategies. In keeping with the spirit of NLR, I will explore a range of top-down and bottom-up perspectives. I will conclude by commenting on the feasibility of certain legal reforms.
000041926 525__ $$aPublished in : Cardozo Arts & Entertainment Law, vol. 34, no. 3
000041926 650_0 $$aCopyright piracy
000041926 650_0 $$aFilm industry
000041926 650_0 $$aPirate economy
000041926 650_0 $$aLaw
000041926 650_0 $$zIndia
000041926 85641 $$uhttp://www.cardozoaelj.com/wp-content/uploads/2016/08/BANERJEE-ARTICLE.pdf$$yView this resource
000041926 904__ $$aJournal article
000041926 980__ $$aBIB