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000041651 040__ $$aSzGeWIPO$$beng$$erda
000041651 041__ $$aeng
000041651 1001_ $$aSchur, Richard L.
000041651 24500 $$aParodies of ownership : hip-hop aesthetics and intellectual property law /
000041651 264_1 $$a[Ann Arbor, Michigan] :$$bUniversity of Michigan Press,$$c2009.
000041651 300__ $$a236 pages
000041651 336__ $$atext$$btxt$$2rdacontent
000041651 337__ $$aunmediated$$bn$$2rdamedia
000041651 338__ $$avolume$$bnc$$2rdacarrier
000041651 500__ $$aThis resource was extracted from the Directory of Open Access Books (DOAB)
000041651 520__ $$aWhat is the relationship between hip-hop and African American culture in the post--Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms ""hip-hop aesthetics."" This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post--Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed. Parodies of Ownership offers a broad analysis of post--Civil Rights era culture and provides the necessary context for understanding contemporary debates within American studies, African American studies, intellectual property law, African American literature, art history, and hip-hop studies. Weaving together law, literature, art, and music, Schur deftly clarifies the conceptual issues that unify contemporary African American culture, empowering this generation of artists, writers, and musicians to criticize how racism continues to affect our country.
000041651 542__ $$fCC-BY-NC-ND
000041651 650__ $$aAfrican Americans
000041651 650__ $$aLegal status, laws, etc.
000041651 650__ $$aIntellectual property
000041651 650__ $$aHip-hop
000041651 650__ $$aAfrican Americans in popular culture
000041651 85641 $$uhttps://www.doabooks.org/doab?func=search&query=rid:14503$$yView this Ebook
000041651 902__ $$a41651_en
000041651 903__ $$adigitalculturebooks
000041651 904__ $$aBook
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