Introduction: Navigating in the Dark When Bits Have No Borders
1. The Challenge(s) of Cyberlaw
2. Copyright, Culture and the Cloud
3. Addressing ‘Libel Tourism’
4. YouTube from Afghanistan to Zimbabwe: Tyrannize Locally, Censor Globally
5. Balkanizing the Internet
6. Timid Liberalism: A Critique of the Process-Oriented Norms for Internet Blocking
7. Internet Creativity, Communicative Freedom and a Constitutional Rights Theory Response to ‘Code is Law’
8. Diminished, Enduring, and Emergent Diversity Policy Concerns in an Evolving Media Environment
9. Cultural Protectionism 2.0: Updating Cultural Policy Tools for the Digital Age
10. Copyright, Complexity, and Cultural Diversity: A Skeptic’s View
11. The Nigerian Film Industry and Lessons Regarding Cultural Diversity from the Home-Market Effects Model of International Trade in Films
12. Digital Content Production in Nigeria and Brazil: A Case for Cultural Optimism?
13. Decolonizing Networked Technology: Learning from the Street Dance
14. Balancing Act: The Creation and Circulation of Indigenous Knowledge and Culture Inside and Outside the Legal Frame
15. Localism as a Production Imperative: An Alternative Framework for Promoting Intangible Cultural Heritage
16. Cross-Country Comparison of Audience Tastes in Hollywood Movies: Cultural Distance and Genre Preferences
17. Protecting and Promoting National Cultures in a World Where Bits Want to Flow Freely
Index