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\def\WIPO{World Intellectual Property Organisation}
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Research Handbook on Intellectual Property and Creative Industries
Brown, Abbe E. L., Waelde, Charlotte. Editors.; H. Berthold, A.E.L. Brown, R. Burt, I. Calboli, S. Chillas, S. Collins, J. Cornwell, C. Davies, K. Erickson, S. Frankel, N. Gervassis, M. Grewar, A. Guadamuz, V. Hafstein, C. Handke, I. Hargreaves, J. Hartley, Y.R. Isar, E. Kakiuchi, A. Keshet, S. Kheria, G.N. Mandel, R. Mukonoweshuro, E. Nwauche, M. Pavis, J. Reda, N. Rizk, A. Sabiescu, P. Schlesinger, N. Searle, J. Stapleton, S. Teilmann-Lock, B. Townley, C. Waelde, S. Whatley, H.K. Yilmaztekin. Contributors.
2018
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Details
Title
Research Handbook on Intellectual Property and Creative Industries
Author
Brown, Abbe E. L., Waelde, Charlotte. Editors.
H. Berthold, A.E.L. Brown, R. Burt, I. Calboli, S. Chillas, S. Collins, J. Cornwell, C. Davies, K. Erickson, S. Frankel, N. Gervassis, M. Grewar, A. Guadamuz, V. Hafstein, C. Handke, I. Hargreaves, J. Hartley, Y.R. Isar, E. Kakiuchi, A. Keshet, S. Kheria, G.N. Mandel, R. Mukonoweshuro, E. Nwauche, M. Pavis, J. Reda, N. Rizk, A. Sabiescu, P. Schlesinger, N. Searle, J. Stapleton, S. Teilmann-Lock, B. Townley, C. Waelde, S. Whatley, H.K. Yilmaztekin. Contributors.
H. Berthold, A.E.L. Brown, R. Burt, I. Calboli, S. Chillas, S. Collins, J. Cornwell, C. Davies, K. Erickson, S. Frankel, N. Gervassis, M. Grewar, A. Guadamuz, V. Hafstein, C. Handke, I. Hargreaves, J. Hartley, Y.R. Isar, E. Kakiuchi, A. Keshet, S. Kheria, G.N. Mandel, R. Mukonoweshuro, E. Nwauche, M. Pavis, J. Reda, N. Rizk, A. Sabiescu, P. Schlesinger, N. Searle, J. Stapleton, S. Teilmann-Lock, B. Townley, C. Waelde, S. Whatley, H.K. Yilmaztekin. Contributors.
Edition
1st edition
Item Type
Book
Description
416 pages : illustrations
ISBN
9781786431165 Print
9781786431172 eBook
9781786431172 eBook
Summary
The creative industries are becoming of increasing important from economic, cultural, and social perspectives. This Handbook explores the relationship, whether positive or negative, between creative industries and intellectual property (IP) rights. Distinguished international contributors reflect on the diverse policy approaches from across the world, taking into consideration a broad spectrum of economic and philosophical stances. In doing so, the topical chapters offer a global exploration of a wide breadth of issues, including sector-specific examples ranging from museums to traditional knowledge and artificial intelligence to enforcement and new business models. Intriguingly, this Handbook also looks forward to future challenges and developments regarding the role of IP in creative industries. Delivering fresh and challenging perspectives on the rich and important relationship between IP and the creative industries, this Handbook will be vital reading for scholars of IP. It will also be an important reference for advisors to, policymakers for, and funders of the creative industries, as well as activists challenging the power of IP.
Formatted Contents Note
Foreword
Introduction
Part I: Setting the Scene: What is Intellectual Property and why is it relevant to creative industries - 1. Whither the creative economy? Some reflections on the European case; 2. Copyright and performers’ rights in the creative industries: old laws for new challenges; 3. Design, utility models and patents; 4. Passing off, unfair competition and trade marks: 5. Intellectual property in creative industries: the economic perspective
Part II: National and Regional Perspectives - 6. Intellectual property and creative industries policy in the UK: 7. Intellectual property and creative industries policy in Africa; 8. The Creative industries and intellectual property in India: 9. If all you have is a hammer: Promoting the creative industries through EU copyright reform; 10. Cultural creative industries from a cultural policy perspective: the case of Japan
Part III: Intellectual Property, Creativity and Reward: Sharing and Enforcement - 1. Open approaches to sharing: Registered and unregistered rights; 12. Open approaches to sharing: Egypt’s independent music - a realm of sharing and creativity; 13. Intellectual property enforcement: empirical consideration of enforcement action; 14. Enforcement and remedy: What is success? IP litigation and the Creative Industries
Part IV: Case Studies: Coping with Legal, Social and Technical Change - 15. Visual Arts: Artists’ voices from the field; 16. Problematising heritage crafts authorship and ownership: steps towards the intellectual property protection of the traditional Romanian blouse; 17. Performing arts: a study of dance; 18. Traditional knowledge: Protecting the intangible and tracing the development of international protection for folklore; 19. The creative sector and traditional knowledge; 20. Software: Intellectual property and artificial intelligence; 21. Copyright in Museums
Part V: Cross-Sector Issues - 22. Theory and philosophy; 23. How people understand intellectual property, creativity and reward; 24. Appropriating value: on the relationship between business models and intellectual property; 25. Corporate social responsibility, intellectual property and the creative industries
Part VI: Foresighting - 26. The hard sell: economics and intellectual property policy in the creative and cultural industries; 27. Creative industries, diversity and intellectual property; 28. Creative economy: industry versus language?; 29. Distributed, cumulative, collaborative, collective creativity
Index
Introduction
Part I: Setting the Scene: What is Intellectual Property and why is it relevant to creative industries - 1. Whither the creative economy? Some reflections on the European case; 2. Copyright and performers’ rights in the creative industries: old laws for new challenges; 3. Design, utility models and patents; 4. Passing off, unfair competition and trade marks: 5. Intellectual property in creative industries: the economic perspective
Part II: National and Regional Perspectives - 6. Intellectual property and creative industries policy in the UK: 7. Intellectual property and creative industries policy in Africa; 8. The Creative industries and intellectual property in India: 9. If all you have is a hammer: Promoting the creative industries through EU copyright reform; 10. Cultural creative industries from a cultural policy perspective: the case of Japan
Part III: Intellectual Property, Creativity and Reward: Sharing and Enforcement - 1. Open approaches to sharing: Registered and unregistered rights; 12. Open approaches to sharing: Egypt’s independent music - a realm of sharing and creativity; 13. Intellectual property enforcement: empirical consideration of enforcement action; 14. Enforcement and remedy: What is success? IP litigation and the Creative Industries
Part IV: Case Studies: Coping with Legal, Social and Technical Change - 15. Visual Arts: Artists’ voices from the field; 16. Problematising heritage crafts authorship and ownership: steps towards the intellectual property protection of the traditional Romanian blouse; 17. Performing arts: a study of dance; 18. Traditional knowledge: Protecting the intangible and tracing the development of international protection for folklore; 19. The creative sector and traditional knowledge; 20. Software: Intellectual property and artificial intelligence; 21. Copyright in Museums
Part V: Cross-Sector Issues - 22. Theory and philosophy; 23. How people understand intellectual property, creativity and reward; 24. Appropriating value: on the relationship between business models and intellectual property; 25. Corporate social responsibility, intellectual property and the creative industries
Part VI: Foresighting - 26. The hard sell: economics and intellectual property policy in the creative and cultural industries; 27. Creative industries, diversity and intellectual property; 28. Creative economy: industry versus language?; 29. Distributed, cumulative, collaborative, collective creativity
Index
Linked Resources
Published
Cheltenham, England, UK : Edward Elgar Publishing, 2018.
Copyright
©2018
Language
English
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