000028003 000__ 03527cam\a2200601\i\4500 000028003 001__ 28003 000028003 003__ SzGeWIPO 000028003 005__ 20230203212706.0 000028003 008__ 171106s2018\\\\mau\\\\\rb\\\\001\0\eng\\ 000028003 010__ $$a2017960011 000028003 020__ $$a9781788114172$$qPrint 000028003 020__ $$z9781788114189$$qeBook 000028003 035__ $$a(wipo)20130740 000028003 035__ $$a(OCoLC)1012345804 000028003 040__ $$aDLC$$beng$$erda$$cDLC$$dCaBNVSL 000028003 041__ $$aeng 000028003 042__ $$apcc 000028003 043__ $$ae-fr--- 000028003 050_4 $$aK1420.5$$b.F76 2018 000028003 08204 $$a346.0482$$223 000028003 08204 $$a346.048201$$222 000028003 084__ $$aN1 FRO.R 000028003 1001_ $$aFrosio, Giancarlo. 000028003 24510 $$aReconciling Copyright with Cumulative Creativity :$$bThe Third Paradigm. 000028003 264_1 $$aNorthampton, MA :$$bEdward Elgar Pub., Inc.,$$c2018. 000028003 300__ $$a400 pages ;$$c25 cm. 000028003 336__ $$atext$$btxt$$2rdacontent 000028003 337__ $$aunmediated$$bn$$2rdamedia 000028003 338__ $$avolume$$bnc$$2rdacarrier 000028003 4901_ $$aCEIPI Studies in Intellectual Property 000028003 504__ $$aIncludes bibliographical references and index. 000028003 5050_ $$a1st Paradigm: Harmony -- 1. Cumulative Creativity, Collaboration and Borrowing -- 2. Oral-formulaic Tradition, Popular Culture and Iconic Characters -- 3. Gift, Market and Patrons -- 4. Individualism and the Original Genius -- 2nd Paradigm: Separation -- 5. The Road to Propertization and Enclosure -- 6. Imprisoned Characters and ‘Feared’ Uses -- 7. Corporate-Driven Culture and Cultural Diversity; Intermezzo: Digital threat or renaissance? -- 3rd Paradigm: Reconciliation -- 8. From the Oral Formulaic Tradition to Digital Remix -- 9. The Return of the Gift -- 10. The Temple of Digital Enlightenment -- Epilogue -- Index 000028003 520__ $$aReconciling Copyright with Cumulative Creativity: The Third Paradigm examines the long history of creativity, from cave art to digital remix, in order to demonstrate a consistent disparity between the traditional cumulative mechanics of creativity and modern copyright policies. From Platonic mimesis to Shakespeare’s ‘borrowed feathers’, culture was produced under a paradigm in which imitation, plagiarism, and social authorship formed key elements of the creative moment (the 1st paradigm). However, the cumulative nature of creativity is rarely accounted for in modern copyright policies, which build upon a post-Romantic individualistic view emphasizing absolute originality rather than imitation (the 2nd paradigm). Today, in an era of networked mass collaboration and user-based creativity, the enclosure of knowledge brought about by an ever-expanding copyright paradigm seems archaic, and a deliberate defiance of inevitable cultural evolution. Giancarlo Frosio calls for returning creativity to an inclusive rather than exclusive process, so that the 1st and 2nd creative paradigms can be reconciled into an emerging third paradigm. This ground-breaking work will appeal to those interested in both the history and future of creativity and copyright. 000028003 650_0 $$aIntellectual property and creative ability$$zFrance. 000028003 650_0 $$aIntellectual property$$zFrance. 000028003 650_0 $$aParadigm (Theory of knowledge)$$zFrance. 000028003 650_0 $$aIntellectual property and creative ability. 000028003 650_0 $$aCopyright. 000028003 650_0 $$aIntellectual property. 000028003 650_0 $$aCopyright$$zFrance. 000028003 650_0 $$aOriginality$$xPhilosophy. 000028003 650_0 $$aDigital media$$xLaw and legislation. 000028003 650_0 $$aCreation (Literary, artistic, etc.) 000028003 650_4 $$aCopyright 000028003 651_0 $$aFrance$$xCommerce$$xLaw and legislation. 000028003 85641 $$uhttps://www.elgaronline.com/display/9781788114172/9781788114172.xml$$yView eBook 000028003 903__ $$aCEIPI Studies in Intellectual Property 000028003 906__ $$a0$$bibc$$corignew$$d2$$eepcn$$f20$$gy-gencatlg 000028003 942__ $$2ddc$$cMON 000028003 952__ $$w2018-07-04$$p2018-0008$$u42336$$bMAIN$$10$$kN1 FRO.R$$v2018-07-04$$zTagged$$70$$yMON 000028003 955__ $$apc27 2017-11-06 000028003 980__ $$aBIB$$aOS 000028003 999__ $$c31054$$d31054