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Art Collections, Private and Public : A Comparative Legal Study.
2015
Details
Title
Art Collections, Private and Public : A Comparative Legal Study.
Author
Item Type
Book
Description
1 online resource (129 pages).
ISBN
9783319158020 electronic book
Summary
This book is a comparative legal study of the private and public art collections in various states of the world, covering the most important issues that usually arise and focusing on the differences and the similarities of the national laws in the treatment of those issues.
Note
Description based upon print version of record.
This book is a comparative legal study of the private and public art collections in various states of the world, covering the most important issues that usually arise and focusing on the differences and the similarities of the national laws in the treatment of those issues.
This book is a comparative legal study of the private and public art collections in various states of the world, covering the most important issues that usually arise and focusing on the differences and the similarities of the national laws in the treatment of those issues.
Formatted Contents Note
Preface
Contents
1 Introduction: Collecting Art
1.1 General Comments
1.2 What Is Art? What Is an Art Work?
1.3 The Importance of Cultural Property
1.4 Are Definitions Important?
1.5 Identity of Collectors
1.6 Collecting Contemporary Art
References
2 Comparative Studies of Civilization
-Comparative Studies of Art Collection
2.1 Collectors in Different Parts of the World, in Different Moments of Time
2.1.1 Enrico Cernuschi's Collection
-Italy, 19th Century
2.1.2 Ernesto Francisco Fenollosa
-Japan
-USA, 19th
20th Century.
2.1.3 Argentina
-Municipal Museums, 20th Century
2.2 Models of Cultural Politics
2.3 Art Education Policy
-Comparative Cultural Policy
References
3 Collectors' Rights ``Versus'' Artists' Rights
-Conservation and Collection Care
3.1 General Comments
3.2 Moral Rights
3.2.1 The Moral Right of Integrity
3.2.2 Moral Rights
-Aboriginal Art
3.2.3 Case VARA Precedent? MASS MoCA V. Christoph Büchel
3.3 Droit de Suite
-Resale Royalty
-Resale Right
References
4 Comparative Approaches to the Study of National Museums
4.1 General Comments.
4.2 National Museums' Characteristics: Are There?
4.3 Indigenous Communities and National Museums
4.4 Differences Between Museums of European Countries and Museums of the North American Countries
References
5 Private Collections ``Versus'' Public Collections
5.1 General Comments
5.2 Collaboration Between Museums and Collectors
5.2.1 Germany
5.2.2 Contracts Between Museums and Collectors: Are They Governed by Public Law or Private Law?
5.3 Public Access to Private Collections
5.3.1 Private Collections Open to People
-Converted to Public Collections.
5.3.2 Donations by Private Collectors to Public Museums
5.4 Particular Collections: Spain
-Thyssen-Bornemisza Collection
5.5 Management of Private Collections
5.5.1 General Comments
5.5.2 USA
5.5.2.1 Consigning Art
5.5.2.2 Bankruptcy of the Gallery/Art Dealer
References
6 Governance of Museums
6.1 General Comments
6.2 China
6.3 Italy
6.3.1 Musei Ecclesiastici
6.4 Germany
6.4.1 Stiftungen Des èOffentlichen Rechts
6.5 Spain
6.5.1 Museo Del Prado: A New Juridical Regime
6.6 France
6.7 Canada
-USA
6.7.1 Canada
6.7.2 USA.
6.8 United Kingdom
6.9 Archives
6.10 Concluding Comments
References
7 Selling Art
-Is it Permitted? And if Yes, Under What Conditions?
7.1 Inalienability
7.1.1 A ``Strange'' Case: Korean Royal Archives as French Cultural Property?2026
7.2 De-accessioning
7.2.1 Arguments for and Against Deacccessioning
7.2.2 Deaccessioning in USA and in United Kingdom
References
8 Cultural Economics
8.1 General Comments
8.2 Museums Between Private and Public
-The Beyeler Museum
8.3 The Collector as Factor of Art Objects' Market Value's Construction.
8.4 Growth of Art Market Around the World.
Contents
1 Introduction: Collecting Art
1.1 General Comments
1.2 What Is Art? What Is an Art Work?
1.3 The Importance of Cultural Property
1.4 Are Definitions Important?
1.5 Identity of Collectors
1.6 Collecting Contemporary Art
References
2 Comparative Studies of Civilization
-Comparative Studies of Art Collection
2.1 Collectors in Different Parts of the World, in Different Moments of Time
2.1.1 Enrico Cernuschi's Collection
-Italy, 19th Century
2.1.2 Ernesto Francisco Fenollosa
-Japan
-USA, 19th
20th Century.
2.1.3 Argentina
-Municipal Museums, 20th Century
2.2 Models of Cultural Politics
2.3 Art Education Policy
-Comparative Cultural Policy
References
3 Collectors' Rights ``Versus'' Artists' Rights
-Conservation and Collection Care
3.1 General Comments
3.2 Moral Rights
3.2.1 The Moral Right of Integrity
3.2.2 Moral Rights
-Aboriginal Art
3.2.3 Case VARA Precedent? MASS MoCA V. Christoph Büchel
3.3 Droit de Suite
-Resale Royalty
-Resale Right
References
4 Comparative Approaches to the Study of National Museums
4.1 General Comments.
4.2 National Museums' Characteristics: Are There?
4.3 Indigenous Communities and National Museums
4.4 Differences Between Museums of European Countries and Museums of the North American Countries
References
5 Private Collections ``Versus'' Public Collections
5.1 General Comments
5.2 Collaboration Between Museums and Collectors
5.2.1 Germany
5.2.2 Contracts Between Museums and Collectors: Are They Governed by Public Law or Private Law?
5.3 Public Access to Private Collections
5.3.1 Private Collections Open to People
-Converted to Public Collections.
5.3.2 Donations by Private Collectors to Public Museums
5.4 Particular Collections: Spain
-Thyssen-Bornemisza Collection
5.5 Management of Private Collections
5.5.1 General Comments
5.5.2 USA
5.5.2.1 Consigning Art
5.5.2.2 Bankruptcy of the Gallery/Art Dealer
References
6 Governance of Museums
6.1 General Comments
6.2 China
6.3 Italy
6.3.1 Musei Ecclesiastici
6.4 Germany
6.4.1 Stiftungen Des èOffentlichen Rechts
6.5 Spain
6.5.1 Museo Del Prado: A New Juridical Regime
6.6 France
6.7 Canada
-USA
6.7.1 Canada
6.7.2 USA.
6.8 United Kingdom
6.9 Archives
6.10 Concluding Comments
References
7 Selling Art
-Is it Permitted? And if Yes, Under What Conditions?
7.1 Inalienability
7.1.1 A ``Strange'' Case: Korean Royal Archives as French Cultural Property?2026
7.2 De-accessioning
7.2.1 Arguments for and Against Deacccessioning
7.2.2 Deaccessioning in USA and in United Kingdom
References
8 Cultural Economics
8.1 General Comments
8.2 Museums Between Private and Public
-The Beyeler Museum
8.3 The Collector as Factor of Art Objects' Market Value's Construction.
8.4 Growth of Art Market Around the World.
Series
SpringerBriefs in Law.
Available in Other Form
Print version: Moustaira, Elina Art Collections, Private and Public: A Comparative Legal Study Cham : Springer International Publishing,c2015
Published
Cham : Springer International Publishing, 2015.
Language
English
Record Appears in