000027830 000__ 03188cam\a22004575i\4500 000027830 001__ 27830 000027830 003__ SzGeWIPO 000027830 005__ 20230502094831.0 000027830 006__ m\\\\eo\\d\\\\\\\\ 000027830 007__ cr bn |||m|||a 000027830 008__ 170306s2012 ncu o|||||||| ||eng d 000027830 020__ $$a9780190259938$$qeBook 000027830 020__ $$a9780199760091$$qPrint 000027830 035__ $$aEBL829374 000027830 035__ $$a(OCoLC)768319476 000027830 035__ $$a(wipo)EBL829374 000027830 040__ $$aAU-PeEL$$beng$$erda$$cAU-PeEL$$dCaBNVSL 000027830 041__ $$aeng 000027830 050_4 $$aK1420.5 -- .P3757 2011eb 000027830 08204 $$a346.0482$$220 000027830 1001_ $$aPatry, William. 000027830 24510 $$aHow to Fix Copyright. 000027830 264_1 $$aAnnette, Kur; Senftleben, Martin. Oxford, United Kingdom :$$bOxford University Press,$$c2012. 000027830 300__ $$a336 pages. 000027830 336__ $$atext$$2rdacontent 000027830 337__ $$acomputer$$2rdamedia 000027830 338__ $$aonline resource$$bcr$$2rdacarrier 000027830 5050_ $$aAcknowledgments -- Introduction Unlearning Copyright -- 1. Why We Need to Fix Our Copyright Laws -- 2. Replacing a Faith-Based Approach to Copyright with an Evidence-Based Approach -- 3. What Are Copyright Laws Supposed to Do? -- 4. The Public Interest -- 5. Law Is Not the Solution to Business Problems -- 6. Does Deterrence Work? -- 7. Abandoning Exclusivity and Getting Paid Instead -- 8. The Length of Copyright Is Damaging Our Cultural Heritage -- 9. Reimposing Some Formalities -- 10. The Moral Panic over Fair Use -- 11. “The Answer to the Machine Is in the Machine” Is a Really Bad Metaphor -- 12. Effective Global Copyright Laws -- Notes -- Index. 000027830 5208_ $$aThe arrival of the Internet was revolutionary, and one of the most tumultuous developments that followed—the upending of the relatively settled world of copyright law—has forced the complete rethink of how rights to a work are allocated and how delivery formats affect an originator's claims to the work. Most of the disputes around novel Internet media delivery systems derive from views on what constitutes a proper understanding of copyright. Who has the right to a work, and to what extent should we protect a rights holder's ability to derive income from it? Is it right to make copyrighted works free of charge? This book offers solutions for improving an increasingly outmoded copyright system. After outlining how we arrived at the current state of dysfunction, the book offers a series of pragmatic fixes that steer a middle course between an overly expansive interpretation of copyright protection and abandoning it altogether. We cannot force people to buy copyrighted works, but at the same time we have to enforce laws against counterfeiting. Most importantly, we have to look at the evidence—what furthers creativity yet does not deny protection to those who need it to create? We should also reject the increasingly strident (and ill-informed) denunciations of delivery systems: Google Book search and DVRs are merely technologies, and are not the problem. The text stresses that we need to recognize that the consumer is king. Law can only solve legal problems, not business problems, and too often we use law to solve business problems. 000027830 650_0 $$aFair use (Copyright) 000027830 650_0 $$aCopyright. 000027830 650_4 $$aCopyright 000027830 655_0 $$aElectronic books. 000027830 77608 $$iPrint version:$$aPatry, William$$tHow to Fix Copyright$$dCary : Oxford University Press,c2012$$z9780199760091 000027830 85640 $$uhttp://ebookcentral.proquest.com/lib/wipo/detail.action?docID=829374$$yView Ebook 000027830 904__ $$aBook 000027830 942__ $$cEBOOK 000027830 980__ $$aBIB 000027830 980__ $$aEBL_old 000027830 980__ $$aOS 000027830 999__ $$c30345$$d30345