Introduction
PART I The European perspective. 1. A global digital register for the preservation and access to cultural heritage: problems, challenges and possibilities. 2. Registers, databases and orphan works. 3. Copyright protection for the restoration, reconstruction and digitization of public domain works. 4. Photography, copyright and the South Kensington experiment. 5. Archiving exceptions: where are we and where do we need to go?
PART II The U.S. perspective. 6. Archiving and preservation in U.S. copyright law. 7. A central register of copyrightable works: a U.S. perspective
PART III Another way to preserve and access cultural heritage: the domaine public payant. 8. Preserving and accessing our cultural heritage: Argentina's experience through the domaine public payant
PART IV The cultural sector institution's perspective. 9. Preserving and accessing our cultural heritage - issues for cultural sector institutions: archives, libraries, museums and galleries
PART V The cultural heritage specialist's perspective. 10. Friends or foes? Two ways of thinking on the relation between the tasks of cultural heritage institutions and the protection of copyright
Conclusion
Index.