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000027090 090__ $$c29494$$d29483
000027090 24510 $$aCopyright and the challenge of the new /$$ced. by Brad Sherman, Leanne Wiseman.
000027090 264_1 $$aAlphen aan den Rijn, The Netherlands :$$bKluwer Law International,$$c2012.
000027090 300__ $$axii, 271 pages :$$billustrations ;$$c25 cm.
000027090 336__ $$atext$$btxt$$2rdacontent
000027090 337__ $$aunmediated$$bn$$2rdamedia
000027090 338__ $$avolume$$bnc$$2rdacarrier
000027090 4901_ $$aInformation Law Series ;$$vVol. 25
000027090 5050_ $$a1. Copyright: when old technologies were new; 2. The world daguerreotyped: what a spectacle!' copyright law, photography and the economic mission of empire; 3. The electric telegraph and the struggle over copyright in news in Australia, Great Britain and India; 4. The phonogram: a tale of vested interests and seized opportunities; 5. Radio: early battles over the public performace right; 6. How did film become property? copyright and the early American film industry; 7. The story of the tape recorder and the history of copyright levies; 8. Making copies: photocopying and copyright; 9. Public ownership of private spectacles: copyright and television; 10. A square peg in a round hole? copyright protection for computer programs.
000027090 520__ $$a"Copyright is not, as is often thought, something that is periodically extended to cover a new field or medium; rather, copyright redefines itself whenever its efficacy is challenged. While many factors have contributed to this process, one of the most consistent has been the challenges created by new technologies. The contributing authors build upon this insight to show that copyright law is, and has always been, a creature of technology. Each chapter focuses on a specific technology or group of technologies - photography, telegraphy, the phonogram, radio, film, the photocopier, the tape player, television, and computer programs - emphasizing the changes that each technology instigated and the challenges and opportunities it created. Perhaps the most profound insight of this extraordinary book is the authors' claim - ably supported in a series of intriguing chapters - that the way the law responds and reacts to new technologies is always mediated by the political, social, economic, and cultural environment in which the interaction occurs. For example, these chapters describe and explain how: statutory schemes of remuneration arose from failures to effectively police new forms of piracy; persistent litigation and lobbying by copyright owners forces legislatures and courts to devise new laws; content (e.g., sporting events) generates new rules of access to broadcasts; and 'fair copying' (e.g., by libraries) is the necessary exception that proves the rule. As well as providing insights into the ways that copyright law interacted with old technologies when they were new, the book also offers important insights into problems and issues currently confronting copyright law and policy such as the appropriate scope of copyright and the relation between copyright and the public interest"--P. [4] of cover.
000027090 650_0 $$aCopyright$$xHistory
000027090 650_0 $$aCopyright
000027090 650_0 $$aTechnology
000027090 650_0 $$aInventions$$xHistory
000027090 650_6 $$aDroit d'auteur
000027090 7001_ $$aWiseman, Leanne,$$eeditor.
000027090 7001_ $$aSherman, Brad
000027090 903__ $$aInformation Law Series ; vol. 25
000027090 942__ $$cMON$$jN 634 SHE.C
000027090 952__ $$w2013-05-06$$p2013-0144$$r76.00$$u41569$$bMAIN$$10$$kN 634 SHE.C$$v2013-05-06$$zTagged$$71
000027090 980__ $$aBIB
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