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000027078 020__ $$a9780231159463
000027078 020__ $$z9780231159470$$qpaperback
000027078 020__ $$z9780231501460$$qebook
000027078 035__ $$a(wipo)16988400
000027078 035__ $$a(OCoLC)756045736
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000027078 041__ $$aeng
000027078 050_4 $$aKF3070$$b.D43 2012
000027078 08204 $$a346.730482$$223
000027078 084__ $$aN 634 DEC.H
000027078 090__ $$c29482$$d29471
000027078 1001_ $$aDecherney, Peter,$$eauthor.
000027078 24510 $$aHollywood's copyright wars :$$bfrom Edison to the internet /$$cPeter Decherney.
000027078 264_1 $$aNew York :$$bColumbia University Press,$$cc2012.
000027078 300__ $$axii, 287 pages :$$billustrations ;$$c24 cm.
000027078 336__ $$atext$$btxt$$2rdacontent
000027078 337__ $$aunmediated$$bn$$2rdamedia
000027078 338__ $$avolume$$bnc$$2rdacarrier
000027078 4901_ $$aFilm and culture
000027078 500__ $$aIntroduction : the theater of copyright. Piracy and the birth of film. Hollywood's golden age of plagiarism. Auteurism on trial : moral rights and films on television. Hollywood's guerrilla war: fair use and home video. Digital Hollywood: too much control and too much freedom. Conclusion: the copyright reform movement.
000027078 504__ $$aIncludes bibliographical references (pages 243-274) and index.
000027078 5050_ $$a1. Piracy and the birth of film; 2. Hollywood's golden age of plagiarism; 3. Auteurism on trial : moral rights and films on television; 4. Hollywood's guerrilla war : fair use and home video; 5. Digital Hollywood : too much control and too much freedom.
000027078 520__ $$aCopyright law is important to every stage of media production and reception. It helps determine filmmakers' artistic decisions, Hollywood's corporate structure, and the varieties of media consumption. The rise of digital media and the internet has only expanded copyright's reach. Everyone from producers and screenwriters to amateur video makers, file sharers, and internet entrepreneurs has a stake in the history and future of piracy, copy protection, and the public domain. Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, this book follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Many of Hollywood's most valued treasures, from Modern Times (1936) to Star Wars (1977), cannot be fully understood without appreciating their legal controversies. The author shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law. Many landmark decisions have barely changed the industry's behavior, while some quieter policies have had revolutionary effects. His most remarkable contributions uncover Hollywood's reliance on self-regulation. Rather than involve Congress, judges, or juries in settling copyright disputes, studio heads and filmmakers have often kept such arguments 'in house', turning to talent guilds and other groups for solutions. Whether the issue has been battling piracy in the 1900s, controlling the threat of home video, or managing modern amateur and noncommercial uses of protected content, much of Hollywood's engagement with the law has occurred offstage, in the larger theater of copyright. This history recounts these extralegal solutions and their impact on American media and culture. -- Publisher description.
000027078 650_0 $$aCopyright$$zAmerica.
000027078 650_0 $$aBroadcasting rights$$zAmerica.
000027078 650_0 $$aCopyright$$zUnited States.
000027078 650_0 $$aIntellectual property$$zUnited States.
000027078 650_0 $$aFair use (Copyright)$$zUnited States.
000027078 650_6 $$aDroit d'auteur$$xCinéma$$zÉtats-Unis$$xHistoire.
000027078 651_0 $$aAmerica$$xCommerce$$xLaw and legislation.
000027078 7102_ $$aColumbia University Press,.
000027078 830_0 $$aFilm and culture.
000027078 942__ $$cMON$$jN 634 DEC.H
000027078 952__ $$w2013-04-12$$p2013-0132$$r34.50$$u41557$$bMAIN$$10$$kN 634 DEC.H$$v2013-04-12$$zTagged$$71
000027078 980__ $$aBIB
000027078 999__ $$c29482$$d29482