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Making and unmaking intellectual property : creative production in legal and cultural perspective / edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee.
2011
G 111 BIA.M
Available at WIPO Library
Items
Details
Title
Making and unmaking intellectual property : creative production in legal and cultural perspective / edited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee.
Description
vi, 466 pages : illustrations ; 24 cm
online resource
online resource
ISBN
9780226907093
9780226907086 cloth
0226907082 cloth
0226907090 paperback
9780226172491 electronic book
9780226907086 cloth
0226907082 cloth
0226907090 paperback
9780226172491 electronic book
Alternate Call Number
G 111 BIA.M
Summary
Rules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics.
Note
La major part dels capítols del llibre provenen d'un congrés patrocinat per la Society for Critical Exchange, "Con/texts of Invention: Creative Production in Legal and Cultural Perspective", que va tenir lloc a la Case Western Reserve University del 20 al 23 d'abril de 2006.
Bibliography, etc. Note
Includes bibliographical references and indexes.
Formatted Contents Note
1. Patent specification and political representation: how patents became rights; 2. Authoring an invention: patent production in the nineteenh-century United States; 3. The 'person skilled in the art' is really quite conventional: U.S. patent drawings and the persona of the inventor, 1870-2005; 4. Cultural agencies: the legal construction of community subjects and their properties; 5. Social invention; 6. From 'folklore' to 'knowledge' in global governance: on the metamorphoses of the unauthored; 7. Inventing copyleft; 8. Designing cooperative systems for knowledge production: an initial synthesis from experimental economics; 9. Beyond representation: the figure of the pirate; 10. Publishers, privateers, pirates: eighteenth-century german book piracy revisited; 11. The property police; 12. Characterizing copyright in the classroom: the cultural work of antipiracy campaigns; 13. An economic view of legal restrictions on musical borrowing and appropriation; 14. New blood, new fruits: protections for breeders and originators, 1789-1930; 15. Kinds, clones, and manufactures; 16. No patent, no generic: pharmaceutical access and the politics of the copy; 17. Inventing race as a genetic commodity in biotechnology patents; 18. The strange odyssey of software interfaces as intellectual property; 19. Invention, origin, and dedication: republishing women's prints in early modern Italy; 20. Technological platforms and the layers of patent data; 21. Intellectual property norms in stand-up comedy; 22. Patenting life: how the oncomouse patent changed the lives of mice and men; 23. Is there such a thing as postmodern copyright?:.
Published
Chicago : University of Chicago Press, c2011.
Language
English
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Added Corporate Author
Society For Critical Exchange,.