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000026618 050_4 $$aKF2979$$b.M329 2011
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000026618 1001_ $$aBiagioli, Mario.,$$eauthor.
000026618 24510 $$aMaking and unmaking intellectual property :$$bcreative production in legal and cultural perspective /$$cedited by Mario Biagioli, Peter Jaszi, and Martha Woodmansee.
000026618 264_1 $$aChicago :$$bUniversity of Chicago Press,$$cc2011.
000026618 300__ $$avi, 466 pages :$$billustrations ;$$c24 cm
000026618 300__ $$aonline resource
000026618 336__ $$atext$$btxt$$2rdacontent
000026618 337__ $$aunmediated$$bn$$2rdamedia
000026618 338__ $$avolume$$bnc$$2rdacarrier
000026618 500__ $$aLa major part dels capítols del llibre provenen d'un congrés patrocinat per la Society for Critical Exchange, "Con/texts of Invention: Creative Production in Legal and Cultural Perspective", que va tenir lloc a la Case Western Reserve University del 20 al 23 d'abril de 2006.
000026618 504__ $$aIncludes bibliographical references and indexes.
000026618 5050_ $$a1. Patent specification and political representation: how patents became rights; 2. Authoring an invention: patent production in the nineteenh-century United States; 3. The 'person skilled in the art' is really quite conventional: U.S. patent drawings and the persona of the inventor, 1870-2005; 4. Cultural agencies: the legal construction of community subjects and their properties; 5. Social invention; 6. From 'folklore' to 'knowledge' in global governance: on the metamorphoses of the unauthored; 7. Inventing copyleft; 8. Designing cooperative systems for knowledge production: an initial synthesis from experimental economics; 9. Beyond representation: the figure of the pirate; 10. Publishers, privateers, pirates: eighteenth-century german book piracy revisited; 11. The property police; 12. Characterizing copyright in the classroom: the cultural work of antipiracy campaigns; 13. An economic view of legal restrictions on musical borrowing and appropriation; 14. New blood, new fruits: protections for breeders and originators, 1789-1930; 15. Kinds, clones, and manufactures; 16. No patent, no generic: pharmaceutical access and the politics of the copy; 17. Inventing race as a genetic commodity in biotechnology patents; 18. The strange odyssey of software interfaces as intellectual property; 19. Invention, origin, and dedication: republishing women's prints in early modern Italy; 20. Technological platforms and the layers of patent data; 21. Intellectual property norms in stand-up comedy; 22. Patenting life: how the oncomouse patent changed the lives of mice and men; 23. Is there such a thing as postmodern copyright?:.
000026618 5203_ $$aRules regulating access to knowledge are no longer the exclusive province of lawyers and policymakers and instead command the attention of anthropologists, economists, literary theorists, political scientists, artists, historians, and cultural critics.
000026618 650_0 $$aIntellectual property$$zUnited States.
000026618 650_0 $$aIntellectual property.
000026618 650_0 $$aCopyright$$zUnited States.
000026618 650_0 $$aPatents$$zUnited States.
000026618 651_0 $$aUnited States$$xCommerce$$xLaw and legislation.
000026618 7001_ $$aJaszi, Peter,$$eeditor.
000026618 7001_ $$aWoodmansee, Martha,$$eeditor.
000026618 7102_ $$aSociety For Critical Exchange,.
000026618 7972_ $$aProQuest (Firm)
000026618 85640 $$uhttps://ebookcentral.proquest.com/lib/wipo/detail.action?docID=2130121&query=making+and+unmaking+intellectual+property$$yView this ebook
000026618 942__ $$cMON$$jG 111 BIA.M
000026618 952__ $$w2011-12-16$$p2011-0622$$r33.00$$u41069$$bMAIN$$10$$kG 111 BIA.M$$v2011-12-16$$zTagged$$71
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