000026548 000__ 02971cam\a2200541\i\4500 000026548 001__ 26548 000026548 003__ SzGeWIPO 000026548 005__ 20230203120225.0 000026548 008__ 110301s2011\\\\enk\\\\\rb\\\\001\0\eng\d 000026548 020__ $$a9781848442467$$qPrint 000026548 020__ $$z9780857936332$$qeBook 000026548 035__ $$a(wipo)006522177 000026548 035__ $$a(OCoLC)728580540 000026548 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000026548 041__ $$aeng 000026548 050_4 $$aK1420.5$$b.R34 2011 000026548 050_4 $$aZ551$$b.R34 2011 000026548 08204 $$a346.0482$$222 000026548 084__ $$aN 721 RAH.C 000026548 090__ $$c28944$$d28934 000026548 1001_ $$aRahmatian, Andreas. 000026548 24510 $$aCopyright and Creativity :$$bthe making of property rights in creative works 000026548 264_1 $$aCheltenham, UK :$$bEdward Elgar,$$c2011. 000026548 300__ $$a336 pages ;$$c24 cm 000026548 336__ $$atext$$btxt$$2rdacontent 000026548 337__ $$aunmediated$$bn$$2rdamedia 000026548 338__ $$avolume$$bnc$$2rdacarrier 000026548 504__ $$aIncludes bibliographical references and index. 000026548 5050_ $$aPreface -- 1. Copyright as Property -- 2. Copyright-Property and the Public Domain: Explanations and Justifications -- 3. The Limitations to the Powers of Copyright Ownership -- 4. The Attribution and Allocation of Copyright-Property: Authorship, Creativity and Ownership -- 5. The Effects of Copyright-Property I: The Problem of Alienation -- 6. The Effects of Copyright-Property II: Neo-Feudal and Neo-Colonial Features of International Copyright Protection Conclusions Index 000026548 5208_ $$aCopyright and Creativity discusses the making of property out of creative works through the legal mechanism of copyright. It shows the manner in which the law translates a great variety of expressions of the human mind into its normative system and transforms them into the property right of copyright or droit d’auteur. This timely book examines the proprietary features of copyright, the inherent limitations of its powers, and its justification and relationship to the non-proprietary realm of the public domain. The latter part of the book deals with the ‘propertisation/commodification’ of human authors themselves through their works as alienable objects of property, the well-known ‘Romantic author’ critique as a sophisticated justification of that commodification, and at an international level, neo-feudal and neo-colonial developments as a result of this process. This detailed study will appeal to undergraduate and postgraduate students, legal sociologists, and specialists in copyright, property theory, or legal theory and political philosophy with particular interest in property theory. Practitioners within bodies involved in legal policy, organisations concerned with law reform, European institutions, and international organisations will also find much to interest them in this book. 000026548 650_0 $$aCreative ability. 000026548 650_0 $$aDrets d'autor. 000026548 650_0 $$aCreation (Literary, artistic, etc.) 000026548 650_0 $$aIntellectual property. 000026548 650_0 $$aCopyright. 000026548 650_4 $$aInnovation 000026548 650_4 $$aPatents 000026548 650_6 $$aCréation littéraire. 000026548 8524_ $$bZ01$$pZD1714860 000026548 85641 $$uhttps://www.elgaronline.com/display/9781848442467.xml$$yView eBook 000026548 942__ $$cMON$$jN 721 RAH.C 000026548 952__ $$w2011-09-14$$p2011-0447$$r0.00$$u40986$$bMAIN$$10$$kN 721 RAH.C$$v2011-09-14$$zTagged$$71 000026548 980__ $$aBIB$$aOS 000026548 999__ $$c28944$$d28944