000026542 000__ 02759cam\a2200469\i\4500 000026542 001__ 26542 000026542 003__ SzGeWIPO 000026542 005__ 20230203140400.0 000026542 008__ 110321s2011\\\\enk\\\\\rb\\\\001\0\eng\d 000026542 015__ $$aGBB150000$$2bnb 000026542 020__ $$a9781848448391$$qPrint 000026542 020__ $$z9780857933522$$qeBook 000026542 035__ $$a(wipo)006527223 000026542 035__ $$a(OCoLC)749998359 000026542 040__ $$aStDuBDS$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000026542 041__ $$aeng 000026542 050_4 $$aK1420.5$$b.C73 2011 000026542 08204 $$a346.0482$$222 000026542 084__ $$aN 739 CRA.C 000026542 090__ $$c28938$$d28928 000026542 1001_ $$aCraig, Carys J. 000026542 24510 $$aCopyright, Communication and Culture :$$bTowards a Relational Theory of Copyright law 000026542 264_1 $$aCheltenham, UK :$$bEdward Elgar,$$c2011. 000026542 300__ $$a288 pages ;$$c25 cm 000026542 336__ $$atext$$btxt$$2rdacontent 000026542 337__ $$aunmediated$$bn$$2rdamedia 000026542 338__ $$avolume$$bnc$$2rdacarrier 000026542 504__ $$aIncludes bibliographical references and index. 000026542 5050_ $$a1. Introduction -- 2. Constructing authorship: the underlying philosophy of the copyright model -- 3. Authorship and conceptions of the self: feminist theory and the relational author -- 4. Against a lockean approach to copyright -- 5. The evolution of originality: the author's right and the public interest -- 6. Fair dealing and the purposes of copyright protection -- 7. Dissolving the conflict between copyright and freedom of expression -- 8. Final conclusions -- Index 000026542 520__ $$aIn this provocative book, Carys Craig challenges the assumptions of possessive individualism embedded in modern day copyright law, arguing that the dominant conception of copyright as private property fails to adequately reflect the realities of cultural creativity. Employing both theoretical argument and doctrinal analysis, including the novel use of feminist theory, the author explores how the assumptions of modern copyright result in law that frequently restricts the kinds of expressive activities it ought to encourage. In contrast, Carys Craig proposes a relational theory of copyright based on a dialogic account of authorship, and guided by the public interest in a vibrant, participatory culture. Through a critical examination of the doctrines of originality and fair dealing, as well as the relationship between copyright and freedom of expression, she explores how this relational theory of copyright law could further the public purposes of the copyright system and the social values it embodies. This unique and insightful study will be of great interest to students and scholars of intellectual property law, communications, cultural studies, feminist theory and the arts and humanities. 000026542 650_0 $$aCopyright. 000026542 650_0 $$aIntellectual property. 000026542 650_4 $$aPlant breeding 000026542 650_4 $$aCultural studies 000026542 8524_ $$bZ01$$pZM02836518 000026542 85641 $$uhttps://www.elgaronline.com/display/9781848448391.xml$$yView eBook 000026542 942__ $$cMON$$jN 739 CRA.C 000026542 952__ $$w2011-08-30$$p2011-0437$$r65.00$$u40976$$bMAIN$$10$$kN 739 CRA.C$$v2011-08-30$$zTagged$$71 000026542 980__ $$aBIB$$aOS 000026542 999__ $$c28938$$d28938