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000026319 035__ $$a(wipo)0
000026319 035__ $$a(OCoLC)1158993010
000026319 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
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000026319 084__ $$aGB 76  
000026319 1001_ $$aSalmon, R.,$$eauthor.
000026319 24510 $$aSampling and sound recording reproduction - fair use or infringement? /$$cR. Salmon.
000026319 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c2010.
000026319 300__ $$a1 volume ([5] pages) ;$$c[28] cm.
000026319 336__ $$atext$$btxt$$2rdacontent
000026319 337__ $$aunmediated$$bn$$2rdamedia
000026319 338__ $$avolume$$bnc$$2rdacarrier
000026319 4901_ $$aEntertainment Law Review,$$x0959-3799 ;$$vGB 76 2010 Vol.21 No.5, pages 174-178
000026319 650_0 $$aPerforming arts$$xLaw and legislation.
000026319 650_0 $$aFair use (Copyright)
000026319 650_4 $$aMusic industry$$xSound recording
000026319 650_4 $$aInfringement
000026319 650_4 $$aFair use
000026319 830_0 $$aEntertainment Law Review ;$$vGB 76 2010 Vol.21 No.5, pages 174-178.
000026319 903__ $$aEntertainment Law Review.
000026319 904__ $$aJournal article
000026319 942__ $$cART$$jGB 76  2010 Vol.21 No.5$$2ddc
000026319 952__ $$w2011-01-31$$p2011-0094$$u40568$$bMAIN$$10$$kGB 76  $$v2011-01-31$$70$$cMain library$$yART
000026319 980__ $$aBIB
000026319 999__ $$c28710$$d28710