000026303 000__ 04850cam\a2200673\i\4500 000026303 001__ 26303 000026303 003__ SzGeWIPO 000026303 005__ 20210318105033.0 000026303 008__ 080417s2009\\\\ne\a\\\\rb\\\\001\0\eng\\ 000026303 010__ $$a 2008017431 000026303 020__ $$a9780240809731 000026303 020__ $$z0240809734$$qpaperback 000026303 020__ $$z9780080927640$$qelectronic book 000026303 020__ $$z0080927645$$qelectronic book 000026303 020__ $$z9781136060861$$qe-book : PDF 000026303 020__ $$z1136060863 000026303 020__ $$z9781136060816$$qe-book : Mobi 000026303 020__ $$z1136060812 000026303 020__ $$z9781136060854$$qe-book : ePub 000026303 020__ $$z1136060855 000026303 020__ $$z9781138137288$$qhardback 000026303 020__ $$z1138137286 000026303 035__ $$a(wipo)15264777 000026303 035__ $$a(OCoLC)225846958 000026303 040__ $$aDLC$$beng$$erda$$cDLC$$dCaBNVSL 000026303 05000 $$aPN1995.9.D6$$bB393 2009 000026303 08204 $$a070.18$$222 000026303 084__ $$aN 634 BER.A 000026303 090__ $$c28694$$d28684 000026303 1001_ $$aBernard, Sheila Curran,$$eauthor. 000026303 24510 $$aArchival storytelling :$$ba filmmaker's guide to finding, using, and licensing third-party visuals and music /$$cSheila Curran Bernard, Kenn Rabin. 000026303 264_1 $$aAmsterdam :$$bFocal Press,$$cc2009. 000026303 300__ $$aix, 326 pages :$$billustrations ;$$c23 cm 000026303 336__ $$atext$$btxt$$2rdacontent 000026303 337__ $$aunmediated$$bn$$2rdamedia 000026303 338__ $$avolume$$bnc$$2rdacarrier 000026303 504__ $$aIncludes bibliographical references (pages 309-315) and index. 000026303 5050_ $$a1. Introduction; 2. What are archival materials?; 3. Finding what you need; 4. Should you hire a professional?; 5. A global perspective: conversations with image researchers; 6. Practical considerations; 7. Ordering what you need; 8. Creative considerations; 9. An ongoing process: a conversation with Geoffrey C. Ward; 10. Ethical considerations: a roundtable discussion; 11. Introduction to rights and licenses; 12. The public domain; 13. Getting things right: a conversation with Lawrence Lessig; 14. Fair use; 15. Fair dealing, moral rights, and more: a conversation with Hubert Best; 16. Licensing visuals; 17. Licensing music; 18. Legal considerations: a roundtable discussion; 19. Afterworld. 000026303 5050_ $$a1 Introduction; PART I FINDING IT; 2 What are archival materials?; 3 Finding what you need; 4 Should you hire a professional?; 5 A global perspective: Conversations with researchers in Moscow, Sydney, Toronto, and Washington; PART II USING IT; 6 Practical considerations; 7 Ordering what you need; 8 Creative considerations; 9 An ongoing process: A conversation with Geoffrey C. Ward; 10 Ethical considerations: A roundtable; PART III LICENSING IT; 11 Introduction to rights and licenses; 12 The public domain; 13 Getting theings right: A conversation with Lawrence Lessig; 14 Fair use; 15 Fair dealing, moral rights, and more: A conversation with Hubert Best; 16 Licensing visuals; 17 Licensing music; 18 Legal considerations: A roundtable; 19 Afterword; PART IV ADDITIONAL MATERIALS; Sources and Notes; Books and Films; About the authors; Index. 000026303 5201_ $$a"Archival Storytelling is a pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do verite producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?" "Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms - copyright, fair use, public domain, orphan works and more - and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them."--Jacket. 000026303 650_0 $$aArchival materials. 000026303 650_0 $$aProduction and direction. 000026303 650_0 $$aCopyright licenses. 000026303 650_0 $$aDocumentary films. 000026303 650_0 $$aIntellectual property. 000026303 650_0 $$aCopyright. 000026303 650_0 $$aFair use (Copyright) 000026303 650_4 $$aArchival materials 000026303 650_6 $$aDocumentaires$$xProduction et réalisation. 000026303 650_6 $$aDocuments d'archives. 000026303 650_6 $$aDroit d'auteur$$xLicences. 000026303 7001_ $$aRabin, Kenn,$$eauthor. 000026303 7001_ $$aBernard, Sheila Curran. 000026303 85641 $$3Table of contents only$$uhttp://www.loc.gov/catdir/toc/ecip0816/2008017431.html 000026303 906__ $$a7$$bcbc$$corignew$$d1$$eecip$$f20$$gy-gencatlg 000026303 942__ $$cMON$$jN 634 BER.A 000026303 952__ $$w2011-01-20$$p2011-0077$$r33.25$$u40550$$bMAIN$$10$$kN 634 BER.A$$v2011-01-20$$ztagged$$71 000026303 955__ $$alg23 2008-04-17$$clg23 2008-04-17$$aaa24 2008-04-17$$aps02 2008-09-25 2 copies rec'd., to CIP ver.$$alk18 2008-10-01 c. 2 added 000026303 980__ $$aBIB 000026303 999__ $$c28694$$d28694