000026266 000__ 04511cam\a2200661\i\4500 000026266 001__ 26266 000026266 003__ SzGeWIPO 000026266 005__ 20230315170117.0 000026266 008__ 100702s2010\\\\maua\\\\rb\\\\001\0\eng\\ 000026266 020__ $$a9780521193436 000026266 020__ $$z9780511918582$$qe-book 000026266 020__ $$z9780511916625$$qelectronic book 000026266 020__ $$z9780511761577$$qebook 000026266 035__ $$a(wipo)228947952 000026266 035__ $$a(OCoLC)645889828 000026266 040__ $$aPica$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000026266 041__ $$aeng 000026266 050_4 $$aK1485$$b.C66 2010 000026266 08204 $$a346.0482$$222 000026266 08204 $$a346.410482$$220 000026266 084__ $$aN 751 BEN.C 000026266 090__ $$c28656$$d28646 000026266 1001_ $$aBently, Lionel. ;$$aDavis, Jennifer ;$$aGinsburg, Jane C.$$eEditors. 000026266 24510 $$aCopyright and piracy :$$ban interdisciplinary critique. 000026266 250__ $$a1. publ. 000026266 264_1 $$aCambridge :$$bCambridge University Press,$$c2010. 000026266 300__ $$axxx, 471 pages :$$billustrations ;$$c24 cm. 000026266 336__ $$atext$$btxt$$2rdacontent 000026266 337__ $$aunmediated$$bn$$2rdamedia 000026266 338__ $$avolume$$bnc$$2rdacarrier 000026266 4901_ $$aCambridge intellectual property and information law 000026266 504__ $$aIncludes bibliographical references (pages 421-448) and index. 000026266 5050_ $$aInspiration or infringement : the plagiarist in court / Isabella Alexander -- Nineteenth-century Anglo-US copyright relations : the language of piracy versus the moral high ground / Catherine Seville -- Language, practice, and history / Adrian Johns -- The metamorphosis of contrefaçon in French copyright law / David Lefranc ; translated by Sébastien Oddos -- A common lawyer's perspective on contrefaçon / Jane C. Ginsburg -- Copyright infringement, 'free-riding' and the lifeworld / Anne Barron -- Copyright and the limits of law-and-economics analysis / Jonathan Aldred -- 'Substantial similarity of expression' in copyright infringement actions : a linguistic perspective / Alan Durant -- Refining notions of idea and expression through linguistic analysis / Graeme B. Dinwoodie -- Copyright, piracy and software / Jon Crowcroft -- Of plots, puddings and draught-excluders : the law as it applies to the Infringement of computer programs / Jennifer Davis -- Measuring text reuse in the news industry / Paul Clough -- Reflections on measuring text reuse from a copyright law perspective / Tanya Aplin -- Unoriginal genius : plagiarism and the construction of 'romantic' authorship -- Nick Groom -- The genius and the labourer : authorship in eighteenth- and nineteenth-century copyright law / Isabella Alexander -- Piracy and authorship in contemporary art and the artistic commonwealth / Daniel McClean -- Copyright's imperfect republic and the artistic commonwealth / Jonathan Griffiths -- Reggae open source : how the absence of copyright enabled the emergence of popular music in Jamaica / Jason Toynbee -- 'Free-riding on the riddim'? : open source, copyright law and reggae music in Jamaica / Johnson Okpaluba -- Copyright infringement : a criminological perspective / Lorraine Gelsthorpe -- Towards a clearer understanding of the file-sharing phenomenon? : comments on a criminological perspective / Shira Perlmutter. 000026266 520__ $$aAn understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it? 000026266 650_0 $$aCopyright infringement. 000026266 650_0 $$aIntellectual property. 000026266 650_0 $$aCopyright. 000026266 650_4 $$aComparative law 000026266 650_4 $$aCopyright infringement 000026266 650_6 $$aPiratage (Droit d'auteur) 000026266 650_6 $$aInfractions au droit d'auteur. 000026266 903__ $$aCambridge intellectual property and information law. 000026266 905__ $$aHeBIS$$b<4> Universit?t Marburg, Zentralbibliothek 000026266 942__ $$cMON$$jN 751 BEN.C 000026266 952__ $$w2011-01-18$$p2011-0035$$r66.50$$u40508$$bMAIN$$10$$kN 751 BEN.C$$v2011-01-18$$ztagged$$71 000026266 952__ $$w2011-02-15$$p2011-0131$$r96.03$$u40605$$bMAIN$$10$$kN 751 BEN.C$$v2011-02-15$$ztagged$$71 000026266 952__ $$w2011-02-15$$p2011-0132$$r96.03$$u40606$$bMAIN$$10$$kN 751 BEN.C$$v2011-02-15$$ztagged$$71 000026266 980__ $$aBIB 000026266 999__ $$c28656$$d28656