000025466 000__ 03218cam\a22005775i\4500 000025466 001__ 25466 000025466 003__ SzGeWIPO 000025466 005__ 20210318105012.0 000025466 008__ 060407s2005\\\\enk\\\\\rb\\\\001\0\eng\\ 000025466 015__ $$a013-12514$$2bnb 000025466 015__ $$aGBA-51895$$2bnb 000025466 020__ $$a9780761944904 000025466 020__ $$z0761944907$$qcased 000025466 020__ $$z9781847871442$$qelectronic book 000025466 020__ $$z9781446215852$$qebook 000025466 020__ $$z9781281240019 000025466 035__ $$a(wipo)481315101 000025466 035__ $$a(OCoLC)58053615 000025466 040__ $$aGyGoGBV$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000025466 0410_ $$aeng 000025466 050_0 $$aK1457.15 000025466 08204 $$a306.4842$$222 000025466 084__ $$aN 764 MAR.B 000025466 084__ $$aLR 57760$$2rvk 000025466 084__ $$aPZ 3400$$2rvk 000025466 090__ $$c27821$$d27811 000025466 1001_ $$aMarshall, Lee,$$eauthor. 000025466 24510 $$aBootlegging :$$bromanticism and copyright in the music industry /$$cLee Marshall. 000025466 264_1 $$aLondon :$$bSage,$$c2005. 000025466 300__ $$aviii, 169 pages ;$$c24 cm. 000025466 336__ $$atext$$btxt$$2rdacontent 000025466 337__ $$aunmediated$$bn$$2rdamedia 000025466 338__ $$avolume$$bnc$$2rdacarrier 000025466 4901_ $$aTheory, culture & society 000025466 504__ $$aIncludes bibliographical references (pages 160-167) and index. 000025466 5050_ $$a1. Lessons from history; 2. Copyright and the romantic author; 3. Romanticism and popular music; 4. Romanticism copyright and piracy; 5. Problems and alternatives; 6. Introduction to bootlegging; 7. An overview of bootlegging; 8. The impact of bootlegging on the record industry and the industry's response; 9. The dialectic of romanticism and the symbolic significance of bootlegging. 000025466 5201_ $$a"Bootlegs - live concert recordings or studio outtakes reproduced without the permission of the rights holder - hold a prominent position in the pantheon of popular music. They are also much misrepresented and this fascinating book constitutes the first full length academic treatment of the subject." "By examining the centrality of Romantic authorship to both copyright and the music industry, the author highlights the mutual dependence of capitalism and Romanticism, which situates the individual as the key creative force while challenging the commodification of art and self." "Marshall reveals how the desire for bootlegs is driven by the same ideals of authenticity employed by the legitimate industry in its copyright rhetoric and practice and demonstrates how bootlegs exist as an antagonistic but necessary component of an industry that does much to prevent them." "This book will be of great interest to researchers and students in the sociology of culture, social theory, cultural studies and law."--Jacket. 000025466 650_0 $$aSound recordings$$xPirated editions. 000025466 650_0 $$aRomanticism. 000025466 650_0 $$aCopyright. 000025466 650_0 $$aMusic. 000025466 650_0 $$aSocial aspects. 000025466 7001_ $$aMarshall, Lee. 000025466 830_0 $$aTheory, culture & society. 000025466 8564_ $$uhttp://www.loc.gov/catdir/enhancements/fy0713/2004099430-d.html 000025466 8564_ $$uhttp://www.loc.gov/catdir/enhancements/fy0713/2004099430-t.html 000025466 900__ $$aGBV$$bUB Lueneburg <Luen 4>$$d!CAM! 09-21173 000025466 905__ $$a950445711 000025466 942__ $$cMON$$jN 764 MAR.B 000025466 952__ $$w2009-11-18$$p2009-0858$$r111.23$$u39408$$bMAIN$$10$$kN 764 MAR.B$$v2009-11-18$$ztagged$$71 000025466 980__ $$aBIB 000025466 999__ $$c27821$$d27821