000024928 000__ 01484cam\a2200397\i\4500
000024928 001__ 24928
000024928 003__ SzGeWIPO
000024928 005__ 20240708162115.0
000024928 008__ 071109s2008    cau|||||r|||| 00| 0 eng d
000024928 035__ $$a(wipo)0
000024928 035__ $$a(OCoLC)1158560734
000024928 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000024928 043__ $$ae-uk---
000024928 050_4 $$aK5$$b.N824
000024928 08204 $$a344.097$$220
000024928 084__ $$a76$$qGB
000024928 1001_ $$aNocella, L.,$$eauthor.
000024928 24510 $$aCopyright and Moral Rights versus Author's Right and Droit Moral :$$bConvergence or Divergence? /$$cL. Nocella.
000024928 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c2008.
000024928 300__ $$a1 volume ([6] pages) ;$$c[28] cm.
000024928 336__ $$atext$$btxt$$2rdacontent
000024928 337__ $$aunmediated$$bn$$2rdamedia
000024928 338__ $$avolume$$bnc$$2rdacarrier
000024928 4901_ $$aEntertainment Law Review,$$x0959-3799 ;$$vGB 76 Vol. 19 No. 7, pages 151-157
000024928 650_0 $$aPerforming arts$$xLaw and legislation.
000024928 650_0 $$aEntertainers$$xLegal status, laws, etc.
000024928 650_0 $$aCopyright$$zUnited Kingdom.
000024928 650_4 $$aCopyright Law$$zUnited Kingdom
000024928 650_4 $$aCopyright Law$$zFrance
000024928 651_0 $$aUnited Kingdom$$xCommerce$$xLaw and legislation.
000024928 651_0 $$aFrance$$xCommerce$$xLaw and legislation.
000024928 830_0 $$aEntertainment Law Review ;$$vGB 76 Vol. 19 No. 7, pages 151-157.
000024928 903__ $$aEntertainment Law Review.
000024928 904__ $$aJournal article
000024928 942__ $$cART$$jGB 76  Vol. 19 No. 7$$2ddc
000024928 952__ $$w2009-02-09$$p2009-0166$$u38708$$bMAIN$$10$$kGB 76$$v2009-02-09$$70$$cMain Library$$yART
000024928 980__ $$aBIB
000024928 999__ $$c27238$$d27238