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000024487 003__ SzGeWIPO
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000024487 008__ 080722s2007    enk|||||rb||| 001 0 eng d
000024487 020__ $$a9781905464036
000024487 020__ $$z1905464037
000024487 035__ $$a(wipo)0
000024487 035__ $$a(OCoLC)171109777
000024487 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000024487 050_4 $$aK3778$$b.T75 2007
000024487 08204 $$a700.103$$222
000024487 084__ $$aN 627 MCC.T
000024487 090__ $$c26768$$d26762
000024487 1001_ $$aMcclean, Daniel.,$$eauthor.
000024487 24514 $$aThe trials of art /$$cedited by Daniel McClean.
000024487 264_1 $$aLondon :$$bRidinghouse,$$c2007.
000024487 300__ $$a380 pages :$$billustrations ;$$c24 cm
000024487 336__ $$atext$$btxt$$2rdacontent
000024487 337__ $$aunmediated$$bn$$2rdamedia
000024487 338__ $$avolume$$bnc$$2rdacarrier
000024487 504__ $$aIncludes bibliographical references and index.
000024487 5050_ $$aI. Judging art; II. The artist in the courtroom; III. Protecting art and artists; IV. Art and transgression; V. Postscript.
000024487 520__ $$aWho should have the authority to determine what is art: artists, critics and curators, or lawyers, judges and juries? Should artistic expression be immune from legal ad ethical constraints? Should the law always protect artists and art works? Since the Renaissance, artists have appeared in trials as claimants, asserting their rights, and as defendants who have violated the law. This collection of newly commissioned essays from leading art historians, lawyers and cultural theorists examines many significant trials involving artists: trials in which artists have sought to use the law to protect their art and their reputation (including Whistler, Brancusi, Serra and Büchel), and trials in which artists and curators have experienced censorship by church and state (including the blasphemy and obscenity trials of Veronese, Grosz, the Viennese Actionists, Serrano and Mapplethorpe). Capturing the fascinating drama of these trials, this book charts their influence upon the development of art and the shaping of the law, also considering wider issues--the position of the artist in relation to society, the power to determine how images are created and viewed and the struggle between individual expression and collective beliefs.--page 4 of cover.
000024487 650_0 $$aArtists$$xLegal status, laws, etc.$$xHistory.
000024487 650_0 $$aLaw and art$$xHistory.
000024487 650_0 $$aTrials$$xHistory.
000024487 650_4 $$aLaw and art
000024487 650_4 $$aLegal status
000024487 650_4 $$aHistory
000024487 653__ $$aArtists
000024487 7001_ $$aMcClean, Daniel,$$d(19uu-    ),$$eeditor.
000024487 942__ $$cMON$$jN 627 MCC.t
000024487 952__ $$w2008-07-22$$p2008-0529$$r49.54$$u38182$$bMAIN$$10$$kN 627 MCC.T$$v2008-07-22$$ztagged$$71
000024487 980__ $$aBIB
000024487 999__ $$c26768$$d26768