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000023336 035__ $$a(wipo)(CD )99-1635
000023336 035__ $$a(OCoLC)1159936947
000023336 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000023336 084__ $$a76$$qGB
000023336 1001_ $$aGraznak, Paul,$$eauthor.
000023336 24514 $$aThe good, the bad and the ugly :$$bthe Spandau Ballet case and oral agreements in the entertainment industry /$$cPaul Graznak.
000023336 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c1999.
000023336 300__ $$a1 volume ([4] pages) ;$$c[28] cm.
000023336 336__ $$atext$$btxt$$2rdacontent
000023336 337__ $$aunmediated$$bn$$2rdamedia
000023336 338__ $$avolume$$bnc$$2rdacarrier
000023336 4901_ $$aEntertainment Law Review ;$$v1999 Vol 10 No 6 pages 175-179
000023336 500__ $$a"Participants in the entertainment industry have long relied on oral agreements. This reliance opens parties to numerous legal difficulties. The recent U.K. case involving the members of the musical group Spandau Ballet contributes to the body of U.S. and U.K. jurisprudence that struggles with the question of how such 'agreements' form binding contracts and with just what terms have been agreed upon. In spite of industry custom, practitioners should encourage entertainment clients to document their business relationships in at least some written form whenever possible."
000023336 650_0 $$aCopyright.
000023336 650_4 $$aMUSICAL GROUPS : PARTNERSHIP AGREEMENTS
000023336 650_4 $$aCOPYRIGHT : BERNE CONVENTION, PROTECTED PERSONS AND OBJECTS : PROTECTED WORKS : MUSIC
000023336 650_4 $$aMUSICAL GROUPS : ORAL AGREEMENTS
000023336 830_0 $$aEntertainment Law Review ;$$v1999 Vol 10 No 6 pages 175-179.
000023336 903__ $$v1$$aENTERTAINMENT LAW REVIEW
000023336 904__ $$aJournal article
000023336 942__ $$cART$$2ddc
000023336 952__ $$w2006-11-03$$p1999-1635$$r0.00$$u36643$$bMAIN$$10$$kGB 76$$v1999-08-25$$zLibrary$$70
000023336 980__ $$aBIB
000023336 999__ $$c25503$$d25503