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000023317 003__ SzGeWIPO
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000023317 035__ $$a(wipo)(CD )99-1589
000023317 035__ $$a(OCoLC)1160994710
000023317 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000023317 084__ $$a76$$qGB
000023317 1001_ $$aTulchin, Harris E.,$$eauthor.
000023317 24510 $$aLicensing motion pictures in the international market place /$$cHarris E. Tulchin.
000023317 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c1999.
000023317 300__ $$a1 volume ([16] pages) ;$$c[28] cm.
000023317 336__ $$atext$$btxt$$2rdacontent
000023317 337__ $$aunmediated$$bn$$2rdamedia
000023317 338__ $$avolume$$bnc$$2rdacarrier
000023317 4901_ $$aEntertainment Law Review ;$$v1999 Vol 10 No 5 pages 136-152
000023317 500__ $$a"International motion picture licences are constructed from an assortment of accumulated customs, restrictions, local practices, contractual rights and established agreements. To this agglomeration must be added the delicate interests of financial backers--since international licences are typically used to secure loans for the production--and a plurality of conditions applying to individual territories, under which the exhibition of a film is finally permitted. This article sets out to unpack these elements and to survey the ways in which they may be formally incorporated into an international licence."
000023317 650_0 $$aMotion pictures.
000023317 650_4 $$aMOTION PICTURES : INTERNATIONAL LICENSE AGREEMENTS
000023317 650_4 $$aRESTRICTIVE TRADE PRACTICES AND OTHER MATTERS : LIMITATIONS, RESTRICTIONS : BY INDIVIDUAL CONTACTS (LICENCE AGREEMENTS)
000023317 650_4 $$aLICENCE AGREEMENTS : MOTION PICTURES : TERRITORY
000023317 830_0 $$aEntertainment Law Review ;$$v1999 Vol 10 No 5 pages 136-152.
000023317 903__ $$v1$$aENTERTAINMENT LAW REVIEW
000023317 904__ $$aJournal article
000023317 942__ $$cART$$2ddc
000023317 952__ $$w2006-11-03$$p1999-1589$$r0.00$$u36616$$bMAIN$$10$$kGB 76$$v1999-08-17$$zLibrary$$70
000023317 980__ $$aBIB
000023317 999__ $$c25480$$d25480