000023269 000__ 01503cam\a22003375i\4500 000023269 001__ 23269 000023269 003__ SzGeWIPO 000023269 005__ 20240708161928.0 000023269 008__ 990802s1999\\\\cau\\\\\r\\\\u000\0\eng\d 000023269 035__ $$a(wipo)(CD )99-1519 000023269 035__ $$a(OCoLC)1161764014 000023269 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL 000023269 084__ $$a76$$qGB 000023269 1001_ $$aTulchin, Harris E.,$$eauthor. 000023269 24510 $$aSelling your movie :$$bthe role of the producer's representative /$$cHarris E. Tulchin. 000023269 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c1999. 000023269 300__ $$a1 volume ([4] pages) ;$$c[28] cm. 000023269 336__ $$atext$$btxt$$2rdacontent 000023269 337__ $$aunmediated$$bn$$2rdamedia 000023269 338__ $$avolume$$bnc$$2rdacarrier 000023269 4901_ $$aEntertainment Law Review ;$$v1999 Vol 10 No 4 pages 102-106 000023269 500__ $$aThis article discusses the importance of the producer's representative in making the connection between the filmmaker, distributor, press and audience - and also of advising on and administering contracts. 000023269 650_0 $$aCopyright. 000023269 650_4 $$aPRODUCER'S REPRESENTATIVE : ROLE 000023269 650_4 $$aCOPYRIGHT : BERNE CONVENTION, PROTECTED PERSONS AND OBJECTS : PRODUCERS, STAGE MANAGERS, DIRECTORS, COSTUME DESIGNERS 000023269 650_4 $$aFILM-MAKERS, DISTRIBUTORS, PRESS, AUDIENCE : LIAISON 000023269 830_0 $$aEntertainment Law Review ;$$v1999 Vol 10 No 4 pages 102-106. 000023269 903__ $$v1$$aENTERTAINMENT LAW REVIEW 000023269 904__ $$aJournal article 000023269 942__ $$cART$$2ddc 000023269 952__ $$w2006-11-03$$p1999-1519$$r0.00$$u36551$$bMAIN$$10$$kGB 76$$v1999-08-02$$zLibrary$$70 000023269 980__ $$aBIB 000023269 999__ $$c25427$$d25427