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000013702 020__ $$z9781435625709$$qelectronic book
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000013702 050_4 $$aKF3035$$b.F57 2004
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000013702 090__ $$c14436$$d14436
000013702 1001_ $$aFisher, William W.,$$eauthor.
000013702 24510 $$aPromises to keep :$$btechnology, law, and the future of entertainment /$$cWilliam W. Fisher.
000013702 250__ $$aFirst edition.
000013702 264_1 $$aStanford, Calif. :$$bStanford Law and Politics,$$c2004.
000013702 300__ $$ax, 340 pages :$$billustrations ;$$c24 cm
000013702 336__ $$atext$$btxt$$2rdacontent
000013702 337__ $$aunmediated$$bn$$2rdamedia
000013702 338__ $$avolume$$bnc$$2rdacarrier
000013702 500__ $$aIncludes bibliographical references (pages 265-319) and index.
000013702 504__ $$aIncludes bibliographical references (pages 265-319) and index.
000013702 5050_ $$aThe promise of the new technology -- The baseline : entertainment law and practice in 1990 -- What went awry -- Taking property rights seriously -- Online entertainment as a regulated industry -- An alternative compensation system.
000013702 520__ $$aDuring the past fifteen years, changes in the technologies used to make and store audio and video recordings, combined with the communication revolution associated with the Internet, have generated an extraordinary array of new ways in which music and movies can be produced and distributed. Both the creators and the consumers of entertainment products stand to benefit enormously from the new systems. If the available technologies were exploited fully, the costs of audio and video recordings would drop sharply, the incomes of artists would rise, many more artists could reach global audiences, the variety of music and films popularly available would increase sharply, and listeners and viewers would be able to participate much more easily in the shaping of their cultural environments. Sadly, we have failed thus far to avail ourselves of these opportunities. Instead, much energy has been devoted to interpreting or changing legal rules in hopes of defending older business models against the threats posed by the new technologies. These efforts to plug the multiplying holes in the legal dikes are failing and the entertainment industry has fallen into crisis. This provocative book chronicles how we got into this mess and presents three alternative proposals--each involving a combination of legal reforms and new business models--for how we could get out of it.
000013702 650_0 $$aInternet entertainment industry$$xLaw and legislation$$zUnited States.
000013702 650_6 $$aSpectacles et divertissements sur Internet$$xIndustrie$$zÉtats-Unis.
000013702 650_6 $$aDroit d'auteur$$xMusique$$zÉtats-Unis.
000013702 650_6 $$aPiratage (Droit d'auteur)$$zÉtats-Unis.
000013702 650_4 $$aINTERNET
000013702 650_4 $$aENTERTAINMENT LAW
000013702 650_4 $$aCOPYRIGHT
000013702 650_4 $$aMUSIC INDUSTRY
000013702 650_4 $$aPIRACY
000013702 650_4 $$aENTERTAINMENT INDUSTRY
000013702 650_4 $$aTECHNOLOGY
000013702 651_0 $$aUnited States$$xCommerce$$xLaw and legislation.
000013702 903__ $$v1
000013702 942__ $$cMON
000013702 952__ $$w2006-11-03$$p2005-0110$$r27.00$$u15357$$bMAIN$$10$$kN 13 FIS.P$$v2005-03-15$$ztagged$$71
000013702 980__ $$aBIB
000013702 999__ $$c14436$$d14436