000013600 000__ 03246cam\a2200697\i\4500
000013600 001__ 13600
000013600 003__ SzGeWIPO
000013600 005__ 20210318092605.0
000013600 008__ 031022s2004\\\\nyua\\\\rb\\\\001\0\eng\\
000013600 020__ $$a1594200068
000013600 020__ $$z9781594200069$$qhardcover
000013600 020__ $$z0143034650$$qpaperback
000013600 020__ $$z9780143034650$$qpaperback
000013600 020__ $$z0786547987
000013600 020__ $$z9780786547982
000013600 020__ $$z9781101200841$$qelectronic book
000013600 020__ $$z1101200847$$qelectronic book
000013600 020__ $$z1322731519
000013600 020__ $$z9781322731513
000013600 035__ $$a(wipo)(CD )04-0625
000013600 035__ $$a(OCoLC)53324884
000013600 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000013600 043__ $$an-us---
000013600 050_4 $$aKF2979$$b.L47 2004
000013600 08204 $$a343.73099$$222
000013600 084__ $$aN 640 LES.F
000013600 090__ $$c14324$$d14324
000013600 1001_ $$aLessig, Lawrence,$$eauthor.
000013600 24510 $$aFree culture :$$bhow big media uses technology and the law to lock down culture and control creativity /$$cLawrence Lessig.
000013600 250__ $$aFirst edition.
000013600 264_1 $$aNew York :$$bPenguin Press,$$c2004.
000013600 300__ $$axvi, 345 pages :$$billustrations ;$$c22 cm
000013600 336__ $$atext$$btxt$$2rdacontent
000013600 337__ $$aunmediated$$bn$$2rdamedia
000013600 338__ $$avolume$$bnc$$2rdacarrier
000013600 500__ $$aIncludes bibliographical references and index.
000013600 500__ $$aExcerpt from an editorial titled "The coming of copyright perpetuity."
000013600 504__ $$aIncludes bibliographical references (pages 307-330) and index.
000013600 5050_ $$aCreators -- "Mere copyists" -- Catalogs -- "Pirates" -- "Piracy" -- Founders -- Recorders -- Transformers -- Collectors -- "Property" -- Chimera -- Harms -- Eldred -- Eldred II -- Us, now -- Them, soon.
000013600 520__ $$aLawrence Lessig, "the most important thinker on intellectual property in the Internet era" (The New Yorker), is often called our leading cultural environmentalist. His focus is the ecosystem of creativity, the environment created around it by technology and law. To read Free Culture is to understand that the health of that ecosystem is in grave peril. While new technologies always lead to new laws, Lessig shows that never before have the big cultural monopolists drummed up such unease about these advances, especially the Internet, to shrink the public domain while using the same advances to control what we can and can't do with the culture all around us. What's at stake is our freedom -- freedom to create, freedom to build, and, ultimately, freedom to imagine.
000013600 61020 $$aNational Public Radio (U.S.)
000013600 650_0 $$aArt$$zUnited States.
000013600 650_0 $$aIntellectual property$$zUnited States.
000013600 650_0 $$aTechnological innovations$$zUnited States.
000013600 650_0 $$aCopyright$$zUnited States.
000013600 650_4 $$aUNITED STATES OF AMERICA
000013600 650_4 $$aPUBLIC DOMAIN
000013600 650_4 $$aFAIR USE
000013600 650_4 $$aCREATIVITY
000013600 650_4 $$aINTERNET
000013600 650_4 $$aPIRACY
000013600 650_4 $$aMEDIA
000013600 650_4 $$aINTELLECTUAL PROPERTY
000013600 650_6 $$aMédias$$zÉtats-Unis.
000013600 651_0 $$aAmerica$$xCommerce$$xLaw and legislation.
000013600 651_0 $$aUnited States$$xCommerce$$xLaw and legislation.
000013600 7001_ $$aLessig, Lawrence.
000013600 903__ $$v1
000013600 942__ $$cMON
000013600 952__ $$w2006-11-03$$p2004-0625$$r21.00$$u15238$$bMAIN$$10$$kN 640 LES.F$$v2004-11-25$$ztagged$$71
000013600 980__ $$aBIB
000013600 999__ $$c14324$$d14324