000000001 000__ 01058cam\a22003015i\4500
000000001 001__ 1
000000001 003__ SzGeWIPO
000000001 005__ 20210310135649.0
000000001 008__ 961210s1996\\\\cau\\\\\r\\\\u000\0\eng\d
000000001 035__ $$a(wipo)(CD )$ 10
000000001 035__ $$a(OCoLC)1157117167
000000001 040__ $$aSzGeWIPO$$beng$$erda$$cSzGeWIPO$$dCaBNVSL
000000001 084__ $$a76$$qGB
000000001 1001_ $$aOlarte Soto, Eduardo,$$eauthor.
000000001 24514 $$aThe author as first owner of copyright in Spanish law :$$ba comparison with English law /$$cOlarte Soto, Eduardo.
000000001 264_4 $$c©1996
000000001 264_1 $$aLos Angeles, California :$$bUCLA School of Law,$$c1996.
000000001 300__ $$a1 volume ([4] pages) ;$$c[28]cm.
000000001 336__ $$atext$$btxt$$2rdacontent
000000001 337__ $$aunmediated$$bn$$2rdamedia
000000001 338__ $$avolume$$bnc$$2rdacarrier
000000001 4901_ $$aEntertainment Law Review ;$$v1996 Vol 7 No 5 pages 201-205
000000001 650_0 $$aCopyright.
000000001 830_0 $$aEntertainment Law Review ;$$v1996 Vol 7 No 5 pages 201-205.
000000001 903__ $$v0$$aENTERTAINMENT LAW REVIEW
000000001 942__ $$cART$$2ddc
000000001 952__ $$w2006-11-03$$p1996-10$$r0.00$$u206$$bMAIN$$10$$kGB 76$$v1996-12-10$$zLIBRARY$$70
000000001 980__ $$aBIB
000000001 999__ $$c193$$d193